Category results for "Industry-Research"

Industry Research

Video is a big ad opportunity, but it is not without challenges

July 12, 2016 Research Team

When asked to name the biggest trend in digital, publishers responded with one word: video. According to The State of Digital Advertising for Publishers, a new report from Mixpo, this clearly presents both challenges and opportunities. The gap between advertiser demand for video ads and publisher supply of video inventory is notable. This seller’s market has made video a valuable ad product for publishers, but it has also created pressure to find new ways to deliver video and take full advantage of 2016’s video boom.

In April of 2016, Mixpo surveyed over 250 digital advertising professionals employed by U.S. publishers, and conducted personal interviews with 30 digital advertising executives in a variety of functions from eight of America’s leading media companies. The State of Digital Advertising for Publishers highlights the top ten trends that emerged from Mixpo’s research along with insights on how publishers can think about, and tackle, the most pressing issues in digital advertising.

While video is front of mind for respondents, Mixpo also found that programmatic has evolved from threat to revenue opportunity. In fact, for the majority of publishers interviewed, programmatically-powered audience extension is their fastest growing revenue source.

Attribution and measurement, along with viewability, top the list of publisher concerns followed by ad fraud and bots, the increase of mobile consumption and ad blocking.

Other key findings of their research include:

More than a third (36%) of publishers use or plan on using Facebook video ads, with 13.6% using or planning to use Instant Articles.
Publishers ranked pre-roll, interactive pre-roll and in-banner video as the digital ad formats with the highest perceived ROI.
Facebook Dominates: 50.2% of those surveyed have run video ad campaigns on Facebook, compared to only 31.1% on YouTube, 17% on Twitter, 13.2% on Instagram, and 1.7% on Snapchat.
Video Growing Beyond O&Os: In the past year, 61% of publishers have sold video ads as a part of their audience extension packages.
Mobile is still a challenge, but for new reasons: 48% of publishers are ‘very’ or ‘extremely’ concerned with the increase in mobile consumption, while device fragmentation was among the least disconcerting issues.
Ad blocking is a threat, but publishers are unsure of what to do: Nearly half of publishers (46%) said ad blocking is either “extremely” or “very”concerning, but on the long list of publisher concerns, ad blocking isn’t at the top.
In the age of rich data, publishers stick to basic metrics: Nearly 54% of publishers surveyed work with at least four ad tech vendors, and 5% work with more than 16, making consolidated metrics difficult.

Advertising | Industry-Research | Perspectives

What makes ads great? An emotional connection.

July 11, 2016 DCN

In today’s ad environment, where consumers can skip, block, dodge, and flee ads to their heart’s content, we are seeing a flight to quality. In other words, since people don’t have to pay attention to ads anymore, brands are cranking up quality to get people to choose to watch their ads. Speaking to Ad Age at Cannes last month, Procter & Gamble Global Brand Officer Marc Pritchard said of their advertising, “We’re trying to turn down the noise and turn up the quality, which gives you a better chance of success.”

This movement was highly evident during the second quarter, in which our top Breakthrough ads were voluntarily watched on YouTube to the combined tune of 45 million views.

We saw highly emotional ads centered on moms and dads, with a dash of Olympic passion, rise to the top of our list of ads with the greatest Breakthrough capacity. Within our broad set of metrics, the components of Likeabilty and Attention form the Breakthrough dimension. Though Breakthrough is not always the primary objective of an ad, in today’s ad blocking environment, it’s crucial for brands to deliver engaging content that people will watch and share.

Top Breakthrough Ads of Q2, 2016

Out of nearly 1,950 television and digital ads tested by Ace Metrix this quarter, Gillette’s “This Father’s Day, Go Ask Dad” demonstrated the highest Breakthrough, which is remarkable considering the ad is 2:36 long (read more about this ad here.) With nearly 6.3 million YouTube views since early June, the success of Gillette’s ad, created by Grey New York, drives home the point that people will choose to watch high-quality branded content that makes them feel something.

Gillette parent company, Procter & Gamble, is next on the list with their inspirational tribute to the moms behind Olympic athletes, “Thank You, Mom – Strong” (read more about this ad, created by Wieden + Kennedy, here.) Similar to Gillette’s ad, “Strong” received high scores in Relevance, as well as Attention and Likeability. Unilever brand Dove also delivered a relatable ad with their annual heartfelt tribute to Dads, “Caring Makes My Dad, My Hero.” The minute-long spot, created by The Marketing Arm, showcases real father-child moments taken from online footage. Both of these CPG brands are leading the charge in connecting with consumers through intensely emotional ads.

The Emotional Word Clouds (or Emo Clouds) below help gauge the level of emotional connection respondents have with the top four Breakthrough ads by using words directly from their comments. These word clouds demonstrate that it is intense emotion that can truly connect and be relevant to consumers. Words like “touching”, “heartwarming”, and “moving” are seen in high doses. Emo Clouds, a key piece of the puzzle for understanding how to produce predictably great creative, will be launching in the Ace Metrix UI later this month.

We’ve also seen brands have great success connecting through the use of humor. Apple’s “Time – Behind the Scenes” broke through delighting viewers with humorous Cookie Monster and Siri interaction (read more about this TBWA\Media Arts Lab created ad here.) Similarly, Johnsonville broke through with their employee-created, with help from agency Droga5, spot “Jeff and His Forest Friends by Jeff” (read more about Johnsonville’s campaign here.) The Emo Clouds below show how well using humor as a vehicle worked for both brands.

A common theme represented by three of the top 10 ads was that of home and all that homes symbolize. Lowe’s (#6 on the Top 10 list) three-minute ad “House Love”, created by BBDO New York, tells the story of two homes and their young residents falling in love (read more here.) In Zappos’ (#7 on the list) tearjerker ad “Box Home” a boy builds a home for a homeless man with various materials, including Zappos boxes. Viewers used words including “beautiful”, “sad”, and “powerful” to describe the story. Zappos collaborated with creative collective Variable to develop the 1:49 ad. Coldwell Banker’s “This is Home” uses a catchy song set to user-generated content depicting scenes of happy moments big and small that make a house a home. The upbeat minute-long spot, created by Siltanen & Partners, evoked words like “sentimental”, “uplifting”, and “adorable.”

Half of the ads on the top ten list were digital-only ads, with nine out of ten 60 seconds or longer, giving brands enough time to fully tell a story and connect with viewers. It’s clear that this is one recommended path to success, and that more brands should seek emotional means to break through and create a memorable bond that consumers will enjoy and share.

Congratulations to all of the brands and their creative agencies on our list, as well as to those who produced outstanding Breakthrough ads this quarter that fell outside of our Top 10.

Miriam Tremelling serves as senior marketing manager at Ace Metrix where she is responsible for developing compelling stories that articulate Ace Metrix’s value proposition. Prior to joining Ace Metrix, Miriam worked at Conversant, Twelvefold Media and CBS Interactive.

Check out Ace Metrix’s complete list of Breakthrough ads for Q2, with links to watch them in their entirety.

Advertising | Industry-Research

Positive viewing experience and ad-recall correlate to screen size

July 6, 2016 DCN

Consumers pay more attention to advertising on televisions than advertising viewed across other screens according to a new report Evaluating Engagement & Recall by Platform. Nielsen and the Council of Research Excellence hired independent researcher Hub Entertainment Research to measure how people watch television.

In the study, consumers viewed the same five shows “Bones,” “Family Guy,” “The Big Bang Theory,” “Survivor” and “Family Feud” with identical ad loads across TV, computers, smartphones and tablets. Interestingly, 62% of TV viewers reported they were able to recall half or more advertisers compared to viewers of tablet (47%), smartphone (46%) and computer (45%). In contrast, program engagement did not register notable differences by platform.

Viewers also reported that TV (89%) offered the most positive viewing experience, followed by tablet (63%), computer (54%) and phone (43%). Further, viewers paid the most attention to advertising on television (29%) compared to 23% for smartphones, 20% for computers and 17% for tablets.

Additionally, the study found that multi-tasking negatively impacts ad recall but not program plot recall. Importantly marketers need to understand drivers of engagement across platforms as well as those specific to their targeted demo. Identifying drivers and assigning value to each platform will better align expectations with campaign effectiveness.

Industry-Research

Half of all viewers subscribe to SVOD

June 29, 2016 DCN

Subscription VOD (SVOD) penetration now equals DVR penetration in the United States. In fact, half of all viewers now have a subscription based service such as Netflix, Hulu Plus and Amazon Prime, according to Nielsen’s 1Q16 Total Audience Report. Interestingly, close to 30% of households have both an SVOD service and a DVR. Nielsen also noted that DVR penetration has flattened while SVOD is on a strong growth path. So while consumers are still obtaining most of their content on television, live TV consumption is declining as smartphone and tablet viewing is increasing.

The older the consumer, the more time spent watching television. Among adults 18-34, 39% of media consumption occurs on digital (e.g. smartphones, tablets and desktops), 15% on connected TVs (e.g. Apple TV, Roku, Google Chrome) versus 29% on live-TV and 17% on radio. In contrast, Adults 50+ spend 53% of their time on live-TV, 21% on digital, 17% on radio and 8% on connected-TVs. It’s no wonder traditional TV networks are clamoring to remain relevant and shifting to digital options such as HBO to go, CBS’ All Access and MTV’s Snapchat Channel.

Nielsen also found that the heaviest users drove a disproportionate amount of overall time spent consuming media. Just over half of the total minutes viewed (52%) on TV came from the top quintile of TV users. In addition, 83% of smartphone video viewing, 87% of home PC streaming and 71% of connected device usage came from the top 20% of users.

Consumer behavior is responding to the growth of technologies and services and therefore reducing consumer usage on older devices. Shifts and usage of new technologies are anticipated. More media choices lead to more competition. Content providers must think about multi-platform strategies and distribution in an exceedingly connected media environment.

Industry-Research | Perspectives

Content marketers still struggling, opportunities for publishers abound

June 24, 2016 Theresa Cramer – Independent Journalist

The 2016 State of Content Marketing Survey Summary Report from Ascend2 is out, and it confirms what many of us already know: content marketers are still struggling in a variety of ways.

They are mostly concerned with lead generation (58%) and improving customer engagement (55%). Lack of an effective content strategy (48%) and lack of content creation resources (48%) are the biggest barriers to their success—and most of them are still reporting limited success. Half of them say they are “somewhat successful” and 29% claim to be “somewhat unsuccessful.” Only 16% consider themselves be “very successful.”

If you’ve been following the content marketing world, you’ve probably heard some version of all of this before. It’s easy to wonder why content marketing success still eludes so many. But there is some good news. Most companies (89%) say the effectiveness of their content marketing program is increasing. Another 35% say it is “increasing significantly.”

Low down on the list of barriers to success hides “lack of compelling content ideas” with just 25% of respondents listing it as a concern. The mere fact that it ranks so low on marketers list of concerns is worrisome—and perhaps part of the reason they continue to struggle.

Research reports are apparently most effective when it comes to meeting content marketing goals, and it’s easy to see why. Research reports are often downloaded in exchange for information, which inherently produces the leads marketers are looking for. Unfortunately, research reports are the second hardest (62%) type of content to create, right behind videos/podcasts (64%). Research is labor intensive, and time consuming. And it can also be kind of boring.

Content marketing experts are always prevailing on their audience to tell a story. Connect with your potential clients on an emotional level and you’ve got them! But it’s hard to do that with a survey.

The researchers found that blog posts and videos/podcasts are the second and third most effective types of content. Now, those are storytelling devices! Take, for instance, Frank and the Tower, a short film by REI that tells the story of Franks Sanders, a rock climbing guide who has ascended Devil’s Tower thousands of times over his long career. Sanders is a character in his own right. But for someone like me, who not only recently took up indoor rock climbing, but who also stood at the base of Devil’s Tower as a kid with binoculars in hand, the film really struck a chord. Who knows? Maybe one of the people I saw climbing the tower through my binoculars was Sanders. I think about this video all the time, especially when I’m thinking about which store I’m going to in order to buy more chalk for climbing.

Creating this kind of content is not easy. The production value is top notch, and REI has the kind of subject matter at its disposal that the average brand just doesn’t. That’s why brands need publishers. Videos and podcasts are, in fact, labor intensive. Not only do you need an idea, but you need the storytelling and technical expertise to pull it off. Publishers and their staff have all of those things in spades.

In my book, Inside Content Marketing, I spend the final section trying to convince publishers and content marketers that they need each other and this report only reinforces my belief in the promise of this partnership.

According to The 2016 State of Content Marketing Survey Summary Report, 11% of respondents are outsourcing their content needs entirely. Another 61% are using a combination of outside and in-house resources. Publishers need to make sure they aren’t handing over the content creation business to freelancers and agencies. And if content marketers want to finally break through the wall and join the ranks of the “very successful,” they need to make sure they have the right content—created by the right people—and the means to deliver it to as wide an audience as possible.

With a little team work, publishers can use their content creating expertise to help close the revenue gap they are experiencing in the digital age, and marketers can finally find the success they are looking for.

By day, I am the editor of EContent, where I cover the world of digital media and marketing. By night I am a reader and writer of books, NPR addict, and avid gardener. Find out more at TheresaCramer.com or @Cramerstrasser on Twitter.

Industry-Research

News sites face strong market challenges

June 22, 2016 DCN

Digital publishers face three market challenges today that are triggering the re-examination of business strategies: 1) an increase in consumption of distributed content, 2) a surge in mobile traffic, and 3) growth in adoption of of ad blocking software. In order to better understand these market shifts and their impact on news consumption the Reuters Institute for the Study of Journalism commissioned a multi-country study, the Reuters Institute Digital News Report, in February 2016.

Digital news publishers, in particular, are rethinking business models as social platforms such as Facebook, YouTube, and Twitter, are now viewed as major news resources for consumers, especially among millennials. In fact, half (51%) reported they use social media as a source of news each week. Around one in ten (12%) stated it is their main source. Further, the percentage of U.S. consumers subscribing to online news outlets has declined from 11% in 2015 vs. 9% in 2016. Many companies are thinking about taking down their paywalls in an effort to attract more users.

While personalization is often a positive experience, consumers are concerned with the personalization of their news content. Personalized content and social media applications often select news stories built on algorithms which are based on a consumer’s reading history, what his/her friends are reading and the sharing, the popularity and recency of an article. Respondents raised concerns with the algorithms selecting their news stories. In fact, six in 10 worry that personalized news applications change the nature of story selection and that they miss challenging viewpoints (60% and 59%, respectively). And half (49%) are concerned their privacy may be compromised.

In addition, the shift to mobile directly attributed to the increased use of smartphones to access news and the decreased use of desktops. Demographically, younger consumers prefer mobile for news access while older consumers look to desktop and tablet. Across multiple countries, over half (53%) reported that they use a smartphone to access news. Interestingly, consumers who report mainly using their smartphones to access news stories, do so by entering social media sites versus a branded website or app. Apps have become an impactful tool to send alerts and notifications to attract consumers and to bring them more regularly to the branded website.

The consumer adoption of ad blocking software is a most challenging problem for digital publishers, especially for those heavily dependent on advertising revenue. Of those that currently use an ad-blocker, the majority do so on a desktop with only about 8% do so on mobile. In addition, about one-third of consumers in Germany, UK, and the U.S. plan to install an ad-blocker on their smartphones in the next 12 months.

In the U.S. the key reasons for consumers using ad blocking software included:

I was fed up with the volume and distracting nature of advertisements in general, 68%
I dislike ads that follow me around from one site to another (privacy concerns, 55%
To improve the speed at which pages load, 50%
To save battery life, 13%
So I don’t use as much data on my mobile phone plan, 10%

As digital news publishers adapt to the changing marketplace, it’s important to note that consumers still want and value traditional news brands. The Reuters Institute Digital News Report speaks to digital news brands needing to clearly brand their high-quality content and provide a positive audience experience. Further, news brands need to find a balance between destination and distribution and continue to build their brand equity in order to evolve and continue to monetize their content.

Advertising | Industry-Research

Premium context impacts mobile ad performance

June 17, 2016 Michelle Manafy, Editorial Director – DCN

Teads has released new eye-tracking insights that show the impact of various content environments on the performance of mobile advertising. The study found that advertising placed in premium editorial articles increases consumers’ purchase intent by 27%. They also found that when users are on premium publisher sites, their scroll rate slows down, thus building a slower, more concentrated experience, driving a higher chance of attracting attention to engaging advertising.

Key takeaways:

Premium content drives highest engagement.
Native video ads within premium content are more likely to be viewed.
Longer exposure on skippable pre-roll doesn’t guarantee stronger ad impact.
In-article native video ads put the user first and drive the most campaign impact.
In-article native video ads resonate even more with millennials.

Teads also made recommendations for mobile video ad optimization:

Advertise within premium content to drive increased viewership and to extend average dwell time.
Leverage in-article native video to drive increases purchase intent.
Consider using formats outside of pre-roll, which doesn’t guarantee a quality view.
Use in-article native video to impact younger consumers.

Advertising | Industry-Research

Entertainment and media revenues continue to grow

June 15, 2016 Michelle Manafy, Editorial Director – DCN

The media environment still presents numerous growth opportunities despite the competitive marketplace and the struggle for consumer attention. Importantly, PwC’s Annual Global Entertainment and Media Outlook Report projects the U.S. media and entertainment revenue will increase and account for $632 billion, or 29.4% of the worldwide total of over $2.1 trillion. Further, the entertainment and media revenues are expected to grow at a compound rate (CAGR) of 4.4% from $1.7 trillion in 2015 to $2.1 trillion in 2020. In order to provide this forecast for 2016 to 2020, PwC analyzed historical and projection data for advertising and consumer spending in 13 major industry segments across 54 countries.

U.S. highlights:

Internet advertising in the U.S. continues as the largest market in internet advertising revenue, projected to grow from $59.6 billion in 2015 to $93.5 billion by 2020 with a 9.4% CAGR. Important to note, internet advertising ($75.3 billion) is expected to surpass broadcast TV advertising ($70.4 billion) in 2017.
Mobile has been a key driver of digital advertising revenue comprising 34.7% or $20.7 billion in 2015 of U.S. total internet revenue. PwC projects mobile video advertising revenue will grow from $3.5 billion in 2015 to $13.3 billion in 2020 for an increase of 30.3% CAGR.
Video on Demand (VOD) and over-the-top services (OTT) will drive TV and video revenue from $121.4 billion to $124.2 billion in 2020 (0.5% CAGR). In addition, TV advertising revenue is expected to rise from $69.9 billion to $81.7 billion in 2020 (3.2%CAGR).
Continued declines are anticipated for newspaper publishing, declines of 2.9% CAGR by 2020. Further publisher consolidations are expected. As well, magazine publishing revenue is not expected to decline but register a fractional increase, from $30.5 billion in 2015 to $30.7 billion in 2020. In addition, radio is predicted to increase from $21.4 billion to $23.1 billion in 2020 (1.6% CAGR).

Virtual reality devices and games will be the impetus for rising video games revenue from $17.0 billion to $20.3 billion by 2020 (3.6% CAGR). Virtual reality devices and games will be the impetus for rising video games revenue from $17.0 billion to $20.3 billion by 2020 (3.6% CAGR).

Overall, PwC projects that consumers will look for less expensive content bundles, streaming offers and less commercial interruptions. As a result, consumers’ share of time for ad-supported media will not increase. For advertisers and content providers, this means a detailed examination of the consumer experience to identify drivers of engagement and understand their impact on time spent and their influence on advertising effectiveness.

Industry-Research

Mobile ad blocking on the rise. What’s that mean for digital publishers?

June 14, 2016 Michelle Manafy, Editorial Director – DCN

Ad blocking on desktop has been a thorn in the side of publishers for years, but it’s the advance of ad blocking on mobile and built into browsers – and the stunning growth trajectory of ad blocking usage across markets including China and India – that poses the greatest threat to digital media companies that depend on advertising for revenue.

This is the key takeaway of Adblocking Goes Mobile, a recent report published by Page Fair, a company working to mitigate ad blocking with the help of technology it claims addresses the speed, privacy, and UX issues that cause ad blocking in the first place. Drawing from research and analysis of ad blocking browsers and capabilities conducted in collaboration with app intelligence firm Priori Data, the report sheds important light on the factors driving the meteoric growth ad blocking around the globe.

To date the report points out that “at least 419 million people are blocking ads on smartphones.” That’s nearly twice the number of consumers blocking ads on desktops and PCs. Do the math, and 22% of the world’s 1.9 billion smartphone users are blocking ads on the mobile Web.

While mobile ad blocking browsers have become a mainstream technology, there are important differences in how and where consumers block ads in their content and news.

In fact, mobile ad blocking usage and mobile data infrastructure appear to be inextricably linked, with consumers in Asia-Pacific adopting ad blocking browsers as a way to curb bandwidth-eating ads, improve page load speeds and ultimately keep a lid on mobile data costs. Overall, over one-third (33%) of smartphone users in the region are blocking ads with the help of an ad blocking browser. The report estimates that as of March 2016, the region contained a whopping 55% of global smartphone users, but “93% of ad blocking browser usage.”

The mass adoption of ad blocking browsers in markets including China, India, Indonesia and Pakistan means massive problems for digital media serving those markets. As the report puts it: “Mobile ad is a serious threat to the future of media and journalism in emerging markets, where people are coming online

for the first time via relatively expensive or slow mobile connections.”

Ad blocking usage in North America and Europe is not as widespread, thanks to developed mobile data infrastructure and affordable data plans. But there are also distinct differences. Ad blocking browsers are popular in Europe, while content blocking apps (apps that block ads in web pages viewed via a Safari browser on Apple’s iOS 9 Apple devices, for example) are 3x more popular in North America than in Europe.

In total (as of March 2016) the report reckons there were 14 million monthly active users of ad blocking browsers in Europe and North America. In total, 4.9 million content blocking and in-app ad blocking apps were downloaded from app stores in Europe and North America since September 2014.

The mature mobile markets of North America and Europe are marked by slow, but steady adoption of ad blocking browsers and content blocking apps. It’s the calm before the storm as the range of ad blocking tech continues on an impressive growth trajectory. The report identified an incredible 229 different content blocking apps on Apple iOS alone. Expect the numbers to skyrocket now that Samsung will make good on its promise that the default browser on its Android devices will support its version of content blocking. Growth of ad blocking tech will also see a huge boost as more browsers (not just operating systems) add ad blocking support and make it easier for consumers to configure their preferences.

It’s important to have a report that draws from empirical data, not user surveys, to understand the increasingly complex landscape of mobile ad blocking technology. Now it’s up to the media and publishing industry to use this report as a starting point to address the root causes and issues that are convincing consumer to use adblockers in the first place.

Fortunately, the report takes the first steps, inviting industry leaders and associations – including Digital Content Next – to weigh in with their opinions on the rise of ad blocking technology and why a focus on delivering a better user/reader advertising experience should be top of mind with all digital media companies and brands.

But the elephant in the room is not the quality of ads but the disconnect between how the industry approaches monetization and what they should really value. Perhaps David Chavern, CEO, Newspaper Association of America, sums it up best: “We [also] measure digital ads by a metric — “impressions” — that has no real meaning or value. If we don’t fix these problems, and we allow ad blockers to take over, then we will be left with small, subscription models that will exclude large portions of the public. Not being able to afford HBO is one thing. Not being able to afford quality news would be a much more serious problem.”

Advertising | Industry-Research | Perspectives | Video

Are 5 second ads the new Snapchat?

June 10, 2016 Michelle Manafy, Editorial Director – DCN

We live in a visual world. To make a story or campaign compelling, visuals or video are absolutely essential. In fact, it is commonly cited that the brain processes images 60,000 times faster than text. People are captivated by short, instant bursts of content—even content that disappears after a few seconds like Snapchat.

Platforms like Pandora and Vine offer bite-sized video content with homegrown, organic videos that go viral in a matter of days. Recently, Pepsi announced a collection of five-second ads designed to to gratify millennials. Pepsi plans to make 100 different ads for TV and digital this summer to promote their new emoji-themed bottles. And YouTube will soon show 6-second “Bumper” ads before videos, which cannot be skipped.

The market for online video has evolved immensely. When online video first launched, brands re-purposed existing 30 & 60-second TV commercials. The ads looked more clunky, required click-to-start, and didn’t assimilate with the surrounding content.

Instant gratification has become the norm—with advertisers and publishers adapting to meet the consumption behavior of today’s shortened attention span. Video ads are easier than ever to consume with the broad installation and access to broadband on desktop and mobile. Shorter videos ads have higher viewability and completion rates since the content is near instant. In effect, shorter ads may be more successful since consumers are more likely to watch the ads and remember the advertiser.

Today, online video ads are custom-created for each channel, the ads auto-play and compete for attention with a surplus of surrounding ads. Eighty-five percent of online video ads are un-skippable. MediaRadar found that almost all of the video ads (98%) that run less than 10 seconds are un-skippable.

According to MediaRadar data, there were over 1,100 new video advertisers in Q1 2016 alone who didn’t place ads in 2015. Online video is a key driver in digital ad spend with $9.6 billion predicted ad spend for 2016. In 2015, $1.5 billion dollars shifted from linear TV to digital. And yet there remains ample opportunity to grow. Only 10% of TV advertisers bought online video ads in Q1 2016.

Publishers are constantly innovating and introducing new products or ad offerings too. From premium page takeovers to YouTube’s new Breakout Videos that will highlight the fastest-growing videos as an indicator of viral potential.

Todd Krizelman is Co-Founder and CEO of MediaRadar (@MediaRadar). Growing up near the epicenter of technological innovation in Palo Alto, California encouraged him to become an entrepreneur and co-found of one of the world’s first social media sites, theGlobe.com. Krizelman also held leadership positions at Bertelsmann’s Gruner + Jahr and Random House. With his expertise in ad sales and innovation, Krizelman joined veteran web architect, Jesse Keller, to found MediaRadar in 2007.

Industry-Research

Automated detection improves privacy practices

June 8, 2016 Michelle Manafy, Editorial Director – DCN

A consistent routine of privacy detection, measurement and practice allows websites and services to improve their privacy practices. Privacy measurement is specifically used to find out what user data companies collect, how they collect it, and what they do with it.

OpenWPM is an effective privacy measurement tool developed by Steven Englehard and Arvind Narayanan at Princeton University, who recently published a study, “Online tracking: A 1-million-site measurement and analysis.” Their tool provides an opportunity for web privacy measurement to be a more common place practice. OpenWPM collects large-scale data for simulating users, detects and classifies trackers. This automated process is designed to improve the effectiveness of browser privacy tools by efficiently updating the tracking-protection lists.

What exactly is web tracking and why is it a problem? As consumers browse different websites, they are often monitored by “first parties,” which are the sites themselves. However, they are also observed by “third parties” which are very often ad networks embedded on the web page. Third parties capture consumer browsing history through cookies to uniquely identify the user. Often third parties obtain data such as email address or user characteristics without the consumers’ awareness or permission. Interestingly, cookie syncing is also a tracking practice that allows different trackers to share user identifiers with one another.

While hard to detect, cookie syncing is transferred server-to-server by sending the ID in the request URL or in the referer URL. DoubleClick net is one of the most active in cookie syncing and shares 108 different cookies with 118 other third parties (this includes both events where it is a referer and where it is a receiver).

As Englehard and Narayanan wrote in their introduction:

Web privacy measurement — observing websites and services to detect, characterize and quantify privacy-impacting behaviors — has repeatedly forced companies to improve their privacy practices due to public pressure, press coverage, and regulatory action. On the other hand, web privacy measurement presents formidable engineering and methodological challenges. In the absence of a generic tool, it has been largely confined to a niche community of researchers.

In the course of their online tracking study, OpenWPM determined that of the top one million sites there are 81,000 third parties. Interestingly of 81,000 present, only 123 are on more than 1% of sites. In fact, the top five third parties are Google-owned domains. News sites had the most third party tracking in terms of content categories across websites.

Overall, web privacy measurement has three parts: simulating users, recording observations and analysis. The difference in OpenWPM is that it automates the first two parts of this process. It also uses 15 measurements on each site it assesses, such as stateful (cookie-based) and stateless (fingerprinting-based) tracking and multiple fingerprinting techniques.

The automated process of creating tracking-protection lists is a key benefit of OpenWPM. Its ability to scale data, detect and catalog trackers is the holy grail. As well offering a web-based analysis platform provides ease and availability to those with limited technological ability.

Advertising | Industry-Research

Podcast consumption on the rise, and that’s good news for digital advertising

June 6, 2016 Research Team—DCN

One in three podcast listeners expect to increase their podcast consumption over the next six months, following a similar increase in their behavior in the past six months. The results were revealed as part of comScore’s first study dedicated to podcasting, commissioned by audio on-demand network Wondery.

Significantly, among all forms of advertising on mobile devices, podcasts create the highest improvement in perception. And among all forms of digital advertising, podcast ads are considered the least intrusive.

Key findings include:

Over two-thirds of online Americans aged 18-49 are aware of podcasting and nearly one in five listen to podcasts at least once a month.
Incidence of podcast listening is highest among males aged 18-34, at 30%, who spend an average of more than 11 hours per month listening.
About half of podcast consumption is done via mobile devices.
Podcast listeners like the educational and entertainment value of the experience, and report an increase in positive emotions after listening to an episode.
Two-thirds of podcast listeners say they have engaged in various research and/or purchase related behaviors as a result of advertising exposure from podcasts.
More than half of non-podcast listeners say they would be interested in listening if they knew where and how to find podcast episodes.

The study was commissioned between March and April of 2016 among over 2,000 respondents in the US aged 18-49. Full results are available upon request at wondery.com/contact-us.