Constituting about 43.1% of the U.S. population in 2022, people of color will become the majority within a couple of decades. However, despite some minor gains in 2021-22, people of color and women remained underrepresented in most television employment arenas. For both women and people of color, the “bright spot” exceptions were among cable scripted leads and credited cable writers.
According to the tenth annual Hollywood Diversity Report 2023, the television industry is progressing in diversity and representation, but much more work needs to be done. Part 2 of the Hollywood Diversity Report 2023 examines 521 live action, scripted television shows airing or streaming during the 2021-22 season. Part 2, which focused on 2022 Hollywood theatrical and streaming films, was released in March 2023.
Part 2 of the report shows that individuals from underrepresented communities are experiencing employment growth compared to their White colleagues. However, individuals from diverse backgrounds remain underrepresented across all aspects of industry employment during the 2021-22 television season.
Representation in core employment categories:
Broadcast scripted leads: less than 2 to 1 representation (33%).
Digital scripted leads: nearly proportionate representation (36%).
Broadcast scripted show creators: 2 to 1 representation (23%).
Cable scripted show creators: less than 2 to 1 representation (30%).
Digital scripted show creators: less than 2 to 1 representation (26%).
Broadcast episodes directed: less than 2 to 1 representation (31%).
Credited digital writers: nearly proportionate representation (38%).
Significantly, people of color more than quintupled their share of broadcast scripted show creators between the 2011-12 and 2021-22 television seasons — from 4% to 23%. However, they must double their 2021-22 share to reach proportionate representation in this employment arena (43%).
In addition, Black individuals constitute the only group to exceed proportionate representation among leads in the 2021-22 season across all platforms.
Female inclusion
The report also measures gender representation. While female employment increased across seven of the 12 key Hollywood categories, women remain underrepresented in most areas.
Broadcast scripted show creators: nearly proportionate representation (42%)
Cable scripted show creators: less than 2 to 1 representation (34%)
Digital scripted show creators: less than 2 to 1 representation (37%)
Broadcast episodes directed: less than 2 to 1 representation (37%)
Cable episodes directed: less than 2 to 1 representation (38%)
Digital episodes directed: less than 2 to 1 representation (37%)
Credited digital writers: Nearly proportionate representation (47%)
Representation of those with disabilities
Further, new to this year’s report is monitoring the number of individuals with disabilities employed in the television industry. In the 2021-22 television season, there were very few actors with visible disabilities on scripted shows. Among actors with known disabilities, the majority reported mental health issues, learning, or neurological disabilities (77%).
In broadcast scripted shows, only two actors had a physical disability that was visible or a hearing disability (0.3%). In cable scripted shows, only four actors had a physical or medical disability that was visible or a hearing disability (0.6%). In digital scripted shows, eleven actors had a physical or medical disability that was visible or a hearing or visual impairment disability (0.5%). Overall, individuals with disabilities are substantially underrepresented across all platforms ― broadcast, cable, and digital.
Budgetary equality
There are also significant disparities in the budgets allocated to shows created by women and people of color compared to shows created by White men. In both cable and digital, White female creators and creators of color are more likely to have smaller budgets, under $3 million per episode, than White male creators.
Part 2 of the Hollywood Diversity Report 2023 highlights the ongoing struggle for inclusivity in television. Despite some progress, individuals from underrepresented communities continue to face a lack of representation in employment and budget allocations. The report finds that, amid a changing industry marked by increasingly niche programming across platforms, evidence from the 2021-22 television season continues to show that increasingly diverse audiences gravitate to content featuring diversity in some form. Therefore, the report underscores the need for increased industry efforts to create a more inclusive and equitable television employee marketplace, and to better appeal to audiences now and moving forward.
Social media platforms offer journalists a path to audiences and sources. They also give them a way to build their personal brands. However, social media also includes risks such as “dark participation.” We’ve all witnessed forms of dark participation, from hateful comments, manipulation of forums, and copious misinformation.
Journalists are often the target of online harassment. In many cases, these attacks specifically target African American, Latino, LGBTQ, Arab-American, Muslim, and Jewish reporters. As journalists face more online harassment, newsrooms are setting social policies to support and protect journalists from increasingly intense online abuse. But many journalists report concerns about social media’s policy development process in the newsroom.
And, while both groups face the highest risks, they have little control in setting social policies. Newsroom managers developing social media policies tend to be predominantly older, white men who are less active on social platforms.
Methodology and findings
Miller and Nelson interviewed 37 U.S. journalists. The interviews included 22 women and 18 journalists of color. By exploring the relationship between newsroom management and the journalists’ own experiences on social media, three key themes emerged:
Problems with newsroom social media policies.
Adjust policies through better representation within newsroom leadership.
Positive impact with better representation.
Newsroom demographics
Journalism lags behind the national averages regarding the representation of diverse employees. A 2018 Pew Research Center noted that 77% of newsroom employees and reporters (editors, photographers, and videographers, in broadcasting and internet publishing industries) are non-Hispanic whites, compared with 65% of the U.S. Population. Further, among newsroom employees 30 and older, two-thirds are male, compared to slightly more than half of all U.S. workers.
Disconnect
Given the demographic composition of the newsroom, there is a disconnect between journalists who are active on social media and those setting social policy. Many social media policies often limit journalists’ comments because of concerns of bias.
Interviewees explain that anti-bias social media policies set by management often have a narrower lens and view social practices of demographically diverse journalists as biased. For example, some newsroom managers view the statement “black lives matter” as political and biased. Among younger and more diverse journalists, this statement mostly asserts equality.
Interviewees report feeling isolated when targeted with hateful comments because of their racial background. While some claim management is sympathetic, they report that those in leadership roles have limited empathy to understand the situation. Social media policies are also criticized because the policies for lacking depth in terms of protecting both the organization and the individual journalists.
Recommendation and positive change
Most interviewees suggest that younger and more demographically diverse journalists, especially those active on social media, should be included in developing newsroom social media policies. This starts with hiring more demographically diverse journalists in roles across the newsroom, especially in leadership positions.
Journalists with different roles and backgrounds working together allow for new conversations and offer more applicable social media policies, including to:
protect both organizations and journalists,
identify how to respond to social media harassment against their journalists; and
offer a more equitable response plan to accusations of bias against journalists on social media.
Miller and Nelsen conclude that “better representation in newsroom leadership hinges on a larger structural shift in newsroom culture that values representation, equity, and inclusion not just as a journalistic value, but as an organizational value.”
Increasing the diversity of newsroom journalists can reshape newsroom culture and allow organizations to better address mistreatment on social media. It also offers a stronger and more empathetic support system. it sends a message to journalists that they are not only important enough to be included in the decision-making, but a priority and asset worth protecting.
When brands connect to consumers through advertising content, it has an impact beyond selling products. Consumers are highly aware of what brands say, and what corporations do to support diversity, equity, and inclusion. Pragmatically, inclusive marketing makes sense, but how well is “purpose” integrated into the brand experience? A new report, LGBTQ+ and the future of CX from DISQO and Do the WeRQ, explores how people factor brand purpose into their purchase journey decisions.
DISQO and Do the WeRQ surveyed more than 9,000 people to explore the consumer experience with LGBTQ+ advertising content.
Marketplace
LGBTQ+ is the fastest-growing minority segment in the U.S., with an estimated $1.4 trillion in annual spending. The Human Rights Campaign Foundation (HRC) used U.S. Census Bureau data to estimate that at least 20 million U.S. adults identify as LGBTQ+. That’s nearly 8% of the adult population. Additionally, about 21% of Generation Z in the U.S. identify as LGBTQ+.
Getting involved
This research shows that nearly three-quarters (74%) of people believe brands should get involved in social issues like DE&I, racial equality, gender equality, and social economics. Brands involved in diverse communities are recognized by consumers. Approximately 37% of participants in this research recall seeing LGBTQ+ ads outside of content made specifically for the community. Forty-seven percent of participants recall seeing ads within LGBTQ+ content. Those identifying as LGBTQ+ are more likely to recall seeing ads in content made for them (57%) but are less likely to recall seeing them in mainstream content (33%).
Almost half of those surveyed (46%) agreed or strongly agreed that advertising is adequately inclusive. More than half (52%) said LGBTQ+ ads felt “authentic.” Notably, 64% of people identifying as LGBTQ+ agreed that ads depicting their community felt authentic. However, older consumers are less likely to say that more LGBTQ+ content should be created.
Consumers recognize that brands are influential, and many want to see them exercise this power in support of the LGBTQ+ community. Eight in ten (81%) participants identifying as LGBTQ+ said that brands have some or a lot of influence. Close to half report that brands are essential in bringing about LGBTQ+ progress.
When asked if they ever think about a company’s social and political activities when making a purchase decision, 85% said they did. Less than 15% of people said they never considered this when purchasing.
Generationally, those under 44 years of age are more likely to align a brand’s social influence with their wallets: 18-24 (58%), 25-34 (58%), and 35-44 (57%). Further, 22% of those under 24 said they “always” think about where a brand or company stands when making purchase decisions, 24% for 25-34 and 25% for 35-44. The percentages decline as age increases, with only 12% of people 65+ saying they have these considerations.
Targeting content to LGBTQ+ is growing; this year, fewer people report “not seeing” any LGBTQ+ advertising versus last year (7% versus 20%). The line of cultural margins is shifting, and representation across media platforms offers more racial equality, gender equality, and social economics. LGBTQ+ visibility goes far beyond shout-outs in June. More representation of LGBTQ+ in advertising shows consumers that you see and value them.
Hispanic workers are underrepresented in the media industry compared to their representation in the rest of the U.S. workforce. Unfortunately, little progress has been made over the past decade when it comes to this under-representation, according to a new report on workforce diversity by the U.S. Government Accountability Office (GAO).
The report includes an analysis of data collected between 2010 and 2019 by the U.S. Census Bureau, as well as data from other government agencies. Media industry subsectors studied include radio and television; cable and other subscription programming; motion picture and video; newspaper and periodical publishing; internet publishing and broadcasting, and sound recording.
The overall percentage of Hispanic employment in all aspects of the media industry over the past decade was 12%, compared with 17% for all industries. Hispanic women were even more under-represented, making up only 30% of Hispanics employed in media occupations. The report finds only an estimated 1% increase in Hispanic representation in media fields from 2010 to 2019, compared to the 3% overall Hispanic employment increase during the same period.
A big part of the problem is lack of representation at top levels of leadership, where there is most opportunity to shape the future of the sector. Only 4% of senior executives and managers in media companies are Hispanic, the report found, based on analysis of 2014-2018 data from the Equal Employment Opportunity Commission (EEOC).
Invisible women
The lack of representation is even more stark when it comes to Hispanic women. According to Census Bureau data drawn from 2015-2019, 10% of all media occupations during that time were filled by Hispanic people, and only 3% were Hispanic women. The disparity varied by subfield. For example, while 12% of media photographers were Hispanic, only 2% of those were women.
Of the 11% of actors that were Hispanic, only 4% were Hispanic women. Just 14% of television, video, and film camera operators and editors were Hispanic, of which only 3% were women. However, Hispanic women were more equally represented compared to Hispanic men in writing, editing, and news journalism.
Challenges to representation include:
Financial hurdles to entry and retention in media fields
Barriers to media-related education, including cost and awareness
Access to professional networks and internships
Difficulty meeting union requirements such as work experience levels
Lack of diversity among talent agents and other decision-making roles, which can result in the perception of lower demand
Representation matters
While Hispanic people remain under-represented in media careers, they are actually over-represented among consumers of motion pictures. According to a 2021 study by the Annenberg Inclusion Initiative, 25% of movie-goers during 2007-2019 were Hispanic, generating in 1.7 trillion in consumer spending. However, only 4.2% of directors of the 100 top grossing films during that time were Hispanic (61 out of 1,447) and only three were Hispanic women.
A recent Nielson report reinforces this unbalanced situation. It found that, while all audiences are leaning into streaming, the story is more pronounced for Hispanic audiences, as 43.6% of Latinos’ total TV viewing in July 2022 was attributed to streaming platforms. However, the report also found that many Hispanics feel that accurate representation is in decline.
The Annenberg study also found that roles available to Hispanic performers often stereotyped Hispanic people as criminals or foreigners. Not only do Hispanic audiences deserve to see themselves fairly and accurately represented in media, but all audiences benefit from experiencing more realistic and multifaceted perspectives.
The data gap problem
A big problem for federal oversight is the data gap. FCC and EEOC efforts to enforce anti-discrimination and EEO rules have been hampered by problems sharing data among agencies, the unreliability of self-reported data from media companies, and a lack of data on union compliance and union member demographics. The federal report recommends better data sharing between the EEOC and FCC regarding discrimination charges filed, and an improved approach for obtaining demographic data from unions.
What can be done?
Federal agencies are conducting compliance evaluations, random audits, and periodic reviews, sharing best practices, and operating a training institute. The FCC formed a federal advisory committee that advises on issues such as how to facilitate entry of small businesses owned by women and people from historically disadvantaged groups into the media industry. The Department of Labor (DOL) sponsors apprenticeship programs, and the FCC started an incubator program for radio broadcasters.
Meanwhile, major media companies have announced measures including:
Targeted recruitment efforts
Partnerships with multicultural advocacy organizations
Processes to identify and address pay inequity
Targeted development programs, including incubators and apprenticeships
Strategic succession planning among leadership
Incentives for leadership such as making achievement of diversity and inclusion objectives a factor in determining performance bonuses
Funding initiatives such as allocating funds to support content created by members of underrepresented groups
For the next decade to result in more progress than the last, media companies need to hold themselves accountable for reaching the representation goals they’ve set and publicized.
“I had seen diversity initiatives flounder because they were too complicated or too negative an experience for people to take on.” BBC News presenter and 50:50 The Equality Project founder Ros Atkins told researchers at Behavioural Scientist in November 2020.
Atkins had created a data-driven initiative in 2017 to increase women’s representation on media content. According to the academics, it was “easy, attractive, social, and timely.”
While we see the challenges news organizations face as they seek to better represent society as a whole, we also see progress. That is progress that we, at 50:50, are keen to build upon.
Equity: Moving beyond gender
No pressure then as we look to move 50:50 beyond gender. The Behavioural Scientist article came out a month after the BBC announced that we were doing just that. We sought to see if 50:50 could increase disability and ethnic minority representation on media.
In October 2020, as the leader of the BBC’s 50:50 product, I voiced my belief that we could learn from how we had increased women’s representation in order to extend the scope of our work. That belief has been validated by the latest 50:50 Impact Report, which reveals the BBC’s data beyond gender for the first time.
Five years on from when 50:50 started, I believe we have demonstrated the benefits of increasing the diversity of voice on media content. Now, we need to sustain that. This year’s results builds on the progress made so far. It sets the foundations for further innovation that will further support content-makers in their mission to reflect the world around them.
Changing for the better
By March 2022, 250 BBC content teams had voluntarily signed up to monitor the disability and/or ethnicity make-up of their output. The good news is that the project continues to move the needle – in a range of areas of equity and representation.
Of those who submitted March data, 21% reached their disability target compared to 15% when they first started monitoring. For ethnic minority representation half reached their target, up from 47%.
Long term change
Some may argue that these sound like small increases. But to be frank: Any improvement is a good sign. I say this, knowing what pilot phase looked like. Some teams were starting at zero representation for disabled people. However, they persevered to move the dial.
Also, this project is about playing the long game. Equity and representation is not one and done. Far from it. The data suggests major gains can be made over time.
Of those monitoring disability for more than 18 months, 53% reached their targets in March. That’s up from 18% when they first started and a 35-percentage point increase. For teams monitoring ethnicity, over the same period, there was a 7-percentage point increase – up from 58% to 65%.
Lara Joannides, the BBC’s Creative Diversity Lead for 50:50, acknowledged there a lot more to do to increase diversity of voice on media content across the board.
“These results are an important milestone as we apply 50:50’s core principles for disability and ethnicity representation. They provide a solid foundation for us to build upon,” said Joannides. “This data allows is us to understand where we can improve, so now we need to go out and find more voices to create content that really reflects society.”
How it works
So how is 50:50 increasing diversity of voice? 50:50 is all about understanding where we are now, so we can make change for the future. Whether its disability, ethnicity or gender representation, 50:50 teams use the core principles Ros Atkins devised in 2017.
Using data to effect change, sees content-makers monitor their content in almost real-time. It mean they can share how they are doing at the next team debrief. Together, the team then decides on any actions needed to reach their monthly target.
Measure what you control, gives the framework for how teams monitor. As I often say, “you can’t change what you can’t control.” That goes for who appears on your control too. So, 50:50 teams are only monitoring who they choose to put on their output.
Never compromise on quality, is the paramount principle. The best contributor must always take part. 50:50 is about enriching storytelling with diversity of voice. To do that that voice has to be the best. As Atkins said, in relation to women, in Behavioural Scientist: “50:50 is not about keeping excellent men out of our programs—it’s about finding many more excellent women contributors.”
Setting targets
While the principles are a terrific foundation, you need to set tangible and realistic goals in order to move forward. When it came to increasing women’s representation it felt like a no-brainer. Overall, teams aim for 50% female contributors over the course of any given month. It is the reason our grassroots initiative is called 50:50.
These targets become more complex when you look at monitoring disability and ethnicity. In general, BBC UK teams work towards the Corporation’s diversity targets: 50% women, 20% Black, Asian and minority ethnic, and 12% disabled representation.
However, teams will adjust those targets in line with their specific audience demographics. For example, when it comes to ethnic minority representation for BBC Scotland, they would be aiming for 8% in line with their population. Meanwhile, BBC London is working towards a 50% target to reflect their audience.
Collecting the data
Armed with targets, teams need to collect the data. 50:50 has created two tailored approaches to collect data for disabled contributors and those from ethnic minority backgrounds.
As Joannides explained: “One is by perception, which is how 50:50 has always been done for gender. This means counting based on any publicly available information we have about the contributor. Whether it’s from social media or something they’ve told us themselves. Then the other way, which a small group of teams do, is by collecting actual data.”
Collecting actual data tends to be forms based. This method is being rolled out by BBC Devon across their daytime programming after a successful pilot, and also by 50:50 partners The British Fashion Council.
50:50 gender challenge
It is the second year that 50:50 partner organizations have published their March data alongside the BBC. The 50:50 partner network now spans 30 countries and includes 145 organizations from a wide range of sectors.
Miranda Holt, the external partners lead for 50:50, said the network had grown by 45 new members in the last 12 months.
“We work closely with NHK in Japan, and now reach as far as Mongolia – working with the Media Council there,” said Holt. “50:50 continues to expand in communications companies, law firms, industry regulators and the financial services sector. These organizations show how the 50:50 principles can be applied to any created content – from websites to events to publications. “
Overall, 72 partners submitted their data, up from 41 partners in 2021. Almost half (47%) reached 50% women. For those below the target of 50% women when they first started monitoring, 73% saw an improvement in the gender balance of their content.
As for the BBC when it comes to increasing women’s representation, 61% reached 50:50 compared to 35% when they first joined the project. The proportion of teams reaching 50:50 went up to 69% for those monitoring gender for at least four years.
Audience appreciation
What I find most heartening is that BBC audiences continue to notice an increase in women’s representation. And many are enjoying content more as a result.
In March, a survey of 2,032 BBC online users found that of women aged 16 to 34, 62% enjoyed content more. That’s up from 57% on the previous year, and 68% were consuming more content, an increase of 10 percentage points.
A 50:50 future
This year the BBC is celebrating 100 years of broadcasting. The Corporation’s mission continues to be about delivering value to all audiences, whoever and wherever they are.
BBC Director-General Tim Davie said: “The 50:50 Project plays a crucial role in finding new voices and helping us better reflect the audiences we serve.” He added: “It’s already made a huge impact on the BBC and our global partners. There’s potential to do so much more.”
And there is more to come, as BBC Creative Diversity Director June Sarpong explained: “50:50’s next steps will be to gather data on the representation of class within BBC content to see how well we reflect socio-economic diversity and – crucially – where we need to improve.”
She continued: “Can it be done? Well, as James Baldwin says, ‘nothing can be changed until it is faced.’ So it is heartening that 50:50 is starting to face this.”
Diversity in news media matters because it offers a voice to underrepresented communities and helps provides education to break down the barriers of prejudice. When the news media provides structural diversity – hiring, retention, and promotion – it better reflects the audiences it serves, and more accurately portrays society.
A recent study, Race and Leadership in the News Media 2022, from Reuters Institute, evaluates leadership diversity in the newsroom. The research includes a sample of 100 major online and offline news outlets in Brazil, Germany, South Africa, the U.K., and the U.S.
Key findings for the ten top online news outlets and ten top offline news outlets in each of these markets:
In total, 21% of the 82 top editors identify as nonwhite, compared to 43% of the general population across the five countries. However, excluding Africa from the analysis means only 8% of the top editors are nonwhite compared to 31% of the general population.
At the time of the analysis, Brazil, Germany, and the U.K. did not have a nonwhite top editor. In contrast, 33% of top editors are nonwhite in the U.S., increasing from 18% in 2021. Further, in South Africa, 73% of top editors are nonwhite, increasing from 60% in 2021.
Many journalists highlight the importance of diversity in the newsroom and its important impact on editorial decision-making. The Reuters research measures diversity in the newsroom and tracks its progress compared to industry studies across the globe.
Tracking change in the marketplace
American Society of News Editors (ASNE) research surveyed 293 news organizations in the U.S. in 2018. The study found that 23% of the newsroom employees included people of color represent and 26% for online-only news organizations. The research also shows that 79% had at least one woman among their top three editors, and 33% had at least one minority journalist in a top-three position.
The National Council for the Training of Journalists (NCTJ) in the U.K. used the 2020 Labour Force Survey (LFS) data to identify diversity in journalism. Their report shows women employed in journalism as a majority (53% compared to 47% of men). There was also a slight decrease in the proportion of white ethnic groups (94% to 92%) in journalism compared to 2018. Journalists working in the U.K. increased from 78,000 in 2018 to 96,000 in 2020. However, nonwhite journalists did not grow proportionately.
In Germany, the New German Media Makers (NdM), a nonprofit association representing media professionals with immigrant backgrounds, conducted research in 2020 among 126 editors-in-chief and 122 editorial offices. The study found only 6% of the editors-in-chief have an immigrant background. While most editors-in-chief generally rated diversity in editorial offices as necessary, they did little about it. The NdM made three important recommendations to editors-in-chief and closely monitor the news media.
Report for the whole society: diversity in a program or publication can increase reach, circulation, and opportunities to employ people from immigrant families.
Decision-makers must develop a strategy to attract journalists and staff with immigration histories.
Disclose diversity data transparently, create clear targets, and document.
News media owners and their editors need to accelerate diversity initiatives in their organizations. Reuters research and the previous studies show a slow transformation of the newsroom with nonwhite journalists and editors under-represented. Importantly, transparency and documentation are essential to share best practices for building a diverse newsroom across the globe.
From the narrative-changing storytelling initiative, “Driving Change From the Inside“, a look at the DE+I movement in organizations across the country.
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The saying goes: What doesn’t break you makes you stronger. That seems to be the case during the pandemic for Robin Hood Foundation, the largest poverty nonprofit in New York City. Because of catastrophes like 9/11 and Hurricane Sandy, Robin Hood already had procedures in place that enabled it to act decisively and respond quickly supporting at-risk communities during the pandemic.
At the start of Covid-19, Robin Hood raised $90mm for grants across the city to improve the lives of people who were experiencing poverty as a result of the pandemic. But they’ve got their work cut out for them – now, and always.
To gain greater insight into how the organization appears to be thriving through the pandemic and the overlapping racial justice movement, we sat down with the organization’s Chief People Officer, Stephanie Royal.
As Stephanie recounts, “the murder of George Floyd really helped to inspire, mobilize, and accelerate action that had already started. There was such a tremendous outpouring of support within our organization to take the work that had already started even before I got here, and to really accelerate it to help us move toward becoming an anti-racist organization.”
The phrase “becoming an anti-racist organization” stands out. Few I’ve spoken to call out the issue so overtly. This sentiment is indicative of Stephanie’s self-awareness and of the culture being nurtured at Robin Hood. When asked to comment on her upbringing in an upper middle-class Black family, Stephanie shared a sobering dose of realism:
“We’re not far from people who experience poverty on a daily basis within our own family. While my dad was able to go to college — he’s a graduate of Fisk University, a historically Black college — his education changed the game for our family. Part of why I’m so committed to the work that we do at Robin Hood is because we know that access to good quality education is a lever for economic mobility.”
Stephanie helps to illuminate that, for many of our DEIJ leaders, it’s not enough to strive for and achieve excellence. There are headwinds that make achieving and maintaining excellence more difficult. It’s imperative that we have people in leadership roles who have purview into what’s required to overcome poverty, and what’s needed to create a sustained cycle of mobility.
She notes that, “We all know how disproportionately affected communities of color were with health disparities and Covid just made it even worse. We knew that we had to mobilize quickly, and do so in a way that was intensive and meaningful and really holistic.”
Through this learning and growing process Royal has seen that creating a culture of inclusivity and vulnerability requires an evolution of emotional intelligence across the organization. It means ensuring that everyone has the safety to respectfully express their views and ideas. Equally important to working to foster safety for underrepresented and under resourced groups, is having empathy for every voice in the room. Stephanie describes this need well:
“I can only imagine what it must feel like to be someone entering a conversation about race, never having done it before. Feeling like they should not be in the conversation because of a certain aspect of their identity, or having anxiety around it. It requires vulnerability, and it requires an incredible amount of self-reflection. Based on that, we do have responsibility, those that are further along this pathway, to bring along those that are not there yet.”
In our conversation, Royal offered insights from her journey as a professional, from Wall Street, to the classroom, to her current leadership role as Chief People Officer at Robin Hood. Her story is inspiring for those among us, who could direct our intellect and energy almost anywhere, but choose a path of curiosity, compassion, and purpose.
Here are a few highlights from our conversation (full transcript), curated to help any individual or organization seeking to adapt to societal change and create a safe space for employees of all backgrounds, orientations, races, and beliefs.
“We could not have meaningful conversations about DEI without reflecting on who we were as an organization. Were we reflective on racial, ethnic, gender, sexual orientation, ability, and cultural identifiers. Were they reflected in the staff at the time? No.”
“We took a comprehensive approach to how we’ve recruited, how we made decisions about hiring, how we onboarded our staff, how we made decisions about advancement and promotion, so we could embody the values that we set forth.”
“During Covid, we engaged an outside consultant to continue the work of a wholesale cultural assessment. That was a very intensive process. A deeply meaningful and personal process. I know that the results will help to inspire that next level of work.”
“I think our staff would say they are happy to be here, very much committed to the mission. They’re participating and helping to develop a culture where everyone can be their authentic selves, continue to learn, grow, thrive and contribute to advancing our mission.”
Act:
Today, a commitment to DEIJ is crucial to the overall health of organizational culture. True commitment requires the willingness to continue finding and repairing gaps in equity and justice proactively. The investment of time and effort might be challenging. However, the rewards from meaningful education, engagement, and growth can be seen in employee values alignment, retention, and output in times of crisis and for years to come.
2. Understand the influence of policy
Listen and learn:
“After we worked on the talent side, we wanted to dig into policy, practices, protocols, procedures. Were they equitable? We continued to dig into the policies related to HR, vendor selection, legal, through a lens of diversity, equity and inclusion. I’ll say it’s a different organization now.”
“There are policies within our cities and at the state and federal levels, that don’t make it easy to access fundamental needs such as quality affordable housing, high quality food, basic clean water. These are not distributed equitably across all communities in this country. Where you see inequity and lack of access somehow seems to align with under-resourced communities populated by people of color.”
“We are trying to address issues of people experiencing poverty through grant-making to the amazing non-profits here in New York City, and across the country, so that direct service can be administered, so that people can access good quality food, quality education, and enter the sectors where jobs are abundant.”
Act:
We are all pieces of a larger puzzle. Being a proactive ally for DEIJ requires understanding the rules, procedures, and policies that affect inequity on a micro (in your lives and offices) and macro perspective (in our communities). Start by looking at areas of improvement within your own organization. Examine the procedures that might contribute to inequity and lack of representation. Compassion for our own areas of growth yields ideas and solutions that positively affect the collective.
3. Recognize the link between inclusivity and innovation
Listen and learn:
“We are a place that is welcoming to all people however they show up. I reinforce that in every conversation. I want people to be free, because if you’re not, you can’t do your best work.”
“One of the things that we are most proud of is our Design Insight Group. DIG emerged from the work of our tech incubator Blue Ridge Labs, which works to help founders create tech solutions to some of the drivers of poverty. We invite people from under-resourced communities to work alongside our program officers to develop programs to help in relief efforts.”
“We can, in a very respectful way, engage the experiences of people who have lived experience with poverty and get their input, get their expertise, intelligence, and deep understanding around problem solving to help us find solutions. It’s also important that we compensate them at a level to help them gain sustained economic mobility, for themselves and their families.”
Act:
Great ideas can come from anyone, anywhere. In the case of fighting the causes of poverty, it takes first hand experience to illuminate the real problems and the blind spots in existing solutions. When wealth, education, security and power gaps exist, it can be difficult to build trust. Attention to thoughtful engagement and trust building, as well as ensuring fair compensation, can yield needle-moving collaboration and innovation alongside the communities that you serve.
4. Invest in building trust and progress toward anti-racism
Listen and learn:
“In this type of work, which is so human, you won’t be successful unless you have a culture of trust and mutual understanding rooted in safety.”
“What results from those moments are meaningful relationships, deeper friendships, the willingness to step out of your own space and join someone. These are the experiences that make for a stronger team in this culture.”
“There are people who are at different places on their journey of being able to address race, class, privilege, but we’re all on board. It is okay to be at the beginning of that DEI journey.”
“You have to be ready and open and provide the psychological safety for people to show up as they are, no matter where they are on their DEI journey.”
Act:
Language is important. So, leaders need to speak about the importance for all to be bought in and supported, no matter where they are on their DEI journey. At Robin Hood, becoming an antiracist organization is essential to their health and culture. They see the results in retention, innovation, and passion. Combining the business imperative with examples of tangible and measurable benefits of anti-racism help organizations and the people they employ stay committed to long term DEIJ goals.
5. Gather a community of support and collaboration
Listen and learn:
“I found my tribe when I first came to New York City. A small group of Black women all working at banks. We relied on each other to make it, to draw upon each other’s good energy, and to share experiences so we could grow and thrive in a foreign world.”
“In my professional life, my responsibility is to care for others.There’s a team of people that look to me for support, for answers, for guidance, and that can be very lonely if you don’t have your own place of respite.”
“I know that I’m a role model to our junior staff. I have to show up for them and be my best self and make myself available to help them understand that this can be their seat as well.”
“We want to be partners with other nonprofits, other philanthropies, government, corporate communities, because we know that philanthropy cannot solve poverty alone.”
Act:
You can’t go it alone. Whether you are early in your career or sitting at the top, resilience requires teamwork and support. This is crucial for individuals from under represented groups because of the combined psychological and systemic hurdles that lay as obstacles. Peers and mentors illuminate roadblocks and strategies for presenting your best self. For marginalized individuals and groups, allies, and institutions, we get further by identifying values and goals alignment, and pursuing necessary work, in partnership.
Watch or listen to highlights of Michael and Stephanie’s conversation:
About the author
Michael Tennant is a founder, writer, and movement-builder dedicated to spreading tools of empathy and helping people find their purpose. Before founding Curiosity Lab, Tennant spent 15-years becoming a media, advertising, and nonprofit executive, and delivering award-winning marketing strategies for companies like MTV, VICE, P&G, Coca-Cola, sweetgreen, and Oatly.
Tennant founded Curiosity Lab in 2017 and created the conversation card game Actually Curious. Actually Curious became a viral sensation in 2020 during Covid-19 and the rise of the racial justice movement for helping people build meaningful connections and to tackle the important topics facing our world.
He has channeled his business success and momentum into a sustained movement supporting BIPOC and other underrepresented communities through speaking, writing, leadership, mentorship, consulting, partnerships, and talent-pipeline programs.
From the narrative-changing storytelling initiative, “Driving Change From the Inside“, a look at the DE+I movement in organizations across the country.
CHECK OUT THE FULL SERIES: Summaries, Key takeaways, and Video Highlights
One wish that I have for America is for more organizations to have the clarity of logic, depth of commitment, and force of execution happening at NPR as they address their businesses challenges and needs concerning Diversity, Equity, and Inclusion.
In January of 2020, NPR President and CEO John Lansing made audience diversity NPR’s number one priority. Since that time, the organization has shared its progress across workplace, content, and audiences. This includes a three-year strategic plan that opens with the words “NPR must change to survive.” To get a first hand view into this progressive change agenda, I had the privilege of sitting down with the Chief Marketing Officer of NPR, Michael. The conversation that unfolded might be considered a masterclass on establishing a long term DEI strategy.
According to Michael, the business imperative for DEI is simply “believing in the strategy that to serve a more diverse America, you need to have a team of people whose life experience is more in line with the customers that you’re serving.” That sentiment is shared from NPR CEO, John Lansing down through the organization.
“NPR came out of the Great Society program of the 1960s, where the government set up the Corporation for Public Broadcasting, which helped launch NPR and PBS. Their mission was to create media resources that weren’t being fed by the commercial media.”
Back in 1971 when NPR launched, their audience was in line with the United States. About 80% white and 20% diverse audience, similar to the country at the time. Today, their radio audience is still about 80-20, while the composition of the American population has shifted to 60-40. And, of course, the country has made a massive switch to digital in the intervening years as well. In order to get back in sync with America, NPR has been prioritizing efforts to make the network younger and more diverse.
Michael says that NPR has a fiercely loyal audience, because their values align with those of the audience. However, he says most Americans are not even aware of NPR. “We know from research data that only 30% of all Americans have actually even heard of NPR, which is maybe surprising to people who are big fans of the brand. There’s a huge swath of America that we need to make aware of the great work that we do, and a lot of that audience are younger and more diverse people.”
As impressive as NPR’s DEI strategy and tactics are, so too is Michael Smith. The second son of “immigrant strivers” from Jamaica as he describes, Michael was raised by a single mother, gained admission and scholarships to Stanford University. Now, he is living his childhood dream of being a leader in media and entertainment.
“I’ve always had this feeling of being the new kid and being outside, and I think there’s something actualizing about the power of being able to have your voice heard, even if it’s not being heard in your day-to-day life. You feel like if you’re making media content, you can be heard by the world. So I think that’s what drew me to it.”
The beneficiary of an 1980s minority-focused internship program at the San Francisco Chronicle Foundation, Michael, like myself, took advantage of internship opportunities designed to address diverse pipeline issues. I benefited from a program at Viacom that still exists, which recruits and trains underrepresented media talent. Throughout our conversation, Michael offers insights from his four decades of navigating the media industry, from an intern to founding the Cooking Channel to the CMO of NPR — as a Black man.
His story is inspiring to anyone who is interested in a career path, but lacks the immediate familial access to knowledge and mentorship in that industry. His combination of hard work, curiosity, creativity and agency provides a blueprint any individual can follow to manifest their professional dreams.
Here are a few highlights from our conversation, curated to help any individual or organization seeking to adapt to societal change and create a safe space for employees of all backgrounds, orientations, races, and beliefs.
This is NPR’s “number one priority. To really diversify our audience to better reflect and serve America. We’ve always been about making a more informed, and more culturally enriched population through our content, but we haven’t always done it. Our commitment right now is to very much reflect all of America, and put the public back into National Public Radio.”
“It’s really one big thing, which is just believing in the strategy to serve a more diverse America. You need to have a team of people whose life experience is more in line with the customers and service users that you’re serving.”
“If you think about when a brand like NPR started in the 1970s, the country was about 80-85% white. If you think about who the listeners were, most of whom were in colleges, who were in corporations, and all kinds of institutions, it was 80-90% white. We’re at a time now where it’s really changed. For the first time in some states like California, the majority of kids who are in elementary school are of color.”
Act:
Change or risk extinction. It appears NPR sees something that many organizations are failing to prioritize. If you cannot relate to your audience, then you will eventually lose them. Our nation has become more diverse and our nation’s media (and other organizations) need to adapt to meet their audiences’ expectations and sensibilities. Once you identify the core business case for diversity, it unlocks the license to infuse DE+I goals intrinsically into your business strategy, goals, and roadmap.
2. Get educated on the headwinds BIPOC employees face
Listen and learn:
“I know from my own career, when I got out of college and business school and was working on Madison Avenue back in the ’80s at Young & Rubicam, a popular and famous agency. There were only two African-Americans, me and one other gentleman, in the entire company – account management – and they had, I think, about 800 different people in account management.”
“One of the things that I had noticed when I was younger is that a lot of senior executives in media: If you looked at their family backgrounds, their fathers were also in media. Or they had brothers or cousins, or there were the people around the dinner table when they were 12 or 14. Their dad was reading The Wall Street Journal and talking about what was going on at work. They just had certain insights that people, especially BIPOC people, we just didn’t have.”
“In terms of discrimination, I think that the biggest thing that I’ve faced, and I think a lot of people of color have faced, is being underestimated, undervalued and marginalized in terms of what people think your potential could be.”
Act:
In today’s job market, if you wish to foster safety and retain high potential BIPOC employees, it is unwise to ignore the effects of race and privilege. Creating lasting inclusivity requires the hard work of building trust and connection for team members to explore privilege and bias. Peer to peer storytelling can be effective when appropriately moderated and as bonds of trust in organizations are strengthened. Ongoing people-manager training, community gathering, and proactive mentorship programs can help to close the trust gap, and reduce missed opportunities between employers and underrepresented talent.
3. Make long term investments in BIPOC pipeline
Listen and learn:
“When you think about diversity and inclusion across U.S. companies, there are two things going on, and they’re both related to this question of the pipeline. One is getting more people into the pipeline. Two is once they’re in the pipeline, making sure that they actually make it through and thrive.”
“You see, what C-Suite leaders need to do to really make diversity a reality is, first get true buy-in to why this matters. Not just the moral reason behind it, but the business imperative. Because your audience is changing and you’re gonna become a dinosaur if you don’t reflect the people you’re serving outside of your company. You gotta get buy-in at first, and then understand the nuances of the situation. It’s a combination of bringing people into your organization, but more importantly, what do you do once they’re in the organization.”
“I give a lot of credit to, as we talk about diversity, to the San Francisco Chronicle Foundation, which is a newspaper foundation that had created a minority internship program back in the 80s. The idea was to help kids of color get exposure to the business. If it wasn’t for that, I don’t think I would have gotten my foot in the door at the TV station that they owned. And then that led to other internships that I got in the industry and started my career.”
Act:
Content is king and content companies are the king makers. In the cases of media and advertising, as the cost of creating content falls and new platforms for brands and storytellers emerge, the competition for all talent is increasing. In order to create long term demographic shifts, investments need to be made that recruit and support the retention of candidates over an extended period. If you aren’t investing in BIPOC talent, stand back as players from all sectors win the love of the talent and audiences that you covet.
4. Measure the impact of investment in DE+I
Listen and learn:
“We measure our social impact on how many people we reach with our content, and how much of a change we make in our society through that content. When we look at NPR historically: We had about 80% white audience, 20% diverse audience, and that was similar to the country. But if you look at us today, our radio audience is still about 80-20, and the country has changed to digital. So we realize that we’ve gotten out of sync with America, and so we’ve been re-doubling our efforts to make the network younger and more diverse.”
“We’ve had great success in podcasting, because that’s the platform that younger people really resonate with. It’s on demand. They listen on their smartphones. We found that our podcast content, whether it’s shows like How I Built This or Planet Money or Code Switch, or It’s Been a Minute, those shows actually have about a 40% to 45% people of color audience.”
“So we see the path forward. Which is to make content and put it on the platforms where younger people are. We have another series on YouTube, which is another place where young people love to go. It’s called Tiny Desk Concerts, and it’s basically live concerts featuring a wide variety of diverse artists. And that series is bringing in young and very diverse people into the NPR fold. So we just feel like it’s about those series.”
Act:
Numbers don’t lie, unless you want them to. For NPR, by focusing on goals of attracting a younger and more diverse audience, they were able to implement strategies that are yielding the processes and connections necessary to produce the content that appeals to their desired audience. Whether your business goal is to appeal to more consumers, employees, clients or potential partnerships, identifying the business imperative for diversity, equity and inclusion and measuring it clearly, is the most effective tactic of assuring your moral goals remain linked to your business health regardless of leadership or cultural changes.
Watch or listen to highlights of Michael Tennant’s conversation with Michael Smith
About the author
Michael Tennant is a founder, writer, and movement-builder dedicated to spreading tools of empathy and helping people find their purpose. Before founding Curiosity Lab, Tennant spent 15-years becoming a media, advertising, and nonprofit executive, and delivering award-winning marketing strategies for companies like MTV, VICE, P&G, Coca-Cola, sweetgreen, and Oatly.
Tennant founded Curiosity Lab in 2017 and created the conversation card game Actually Curious. Actually Curious became a viral sensation in 2020 during Covid-19 and the rise of the racial justice movement for helping people build meaningful connections and to tackle the important topics facing our world.
He has channeled his business success and momentum into a sustained movement supporting BIPOC and other underrepresented communities through speaking, writing, leadership, mentorship, consulting, partnerships, and talent-pipeline programs.
From the narrative-changing storytelling initiative, “Driving Change From the Inside“, a look at the DE+I movement in organizations across the country.
Madison Avenue has long been one of the most coveted industries to work for in America. Today advertising stands among the masses anxiously awaiting the end of the pandemic while striving to adapt workplace culture to address the “great reshuffle” happening in the U.S. job market.
Every major industry has been faced with a reckoning around equitable opportunity and a need to attract and retain diverse talent. For advertising, this has been keenly felt as it becomes increasingly evident that messaging that reflects the audiences it serves is best created by diverse talent. To put this industry’s situation into context: In 2020, major Advertising holding companies responded to the fallout following the rise of the Black and AAPI advocacy movements with grand pledges to correct the inequities being denounced on a National and International level. A full year later, despite what appears to have been a genuine effort across the industry, the incremental advancements have been underwhelming.
Like many of the holding companies, Havas Group released its Diversity, Equity and Inclusion Stats in Q3 of 2021. It showed improvement—and room for improvement. Havas Group North America increased the number of diverse employees across all career levels within its U.S. offices by 3% between July 2020 and June 2021. A closer look at the data shows Hispanics/Latinos were up 1.6%, followed by Asians at 1%, multiracial people at .2%, and American Indians/Pacific Islanders and Black people at .014% each.
But these numbers only paint part of the picture. So, I sat down with Juliana Akoumouh, Chief Culture Officer and Head of Diversity Equity and Inclusion at Havas North America to get a holistic view inside this agency group. Julianna’s job as the NA DE&I lead is to work closely with Havas’s global talent leader, as well as agency CEOs, to help them bring their DEI efforts to life and make them successful.
As Julianana describes it:
“We’re in the middle of the most dramatic talent management situation I’ve ever seen. People are reflecting on the world around them, on their careers, on their lives, what’s valuable to them, what makes them happy. We’re in a major talent shift.”
“We’re in a moment where, and it’s not just us, retention is a challenge. There’s a moment happening right now from a talent perspective where, certainly for under-represented talent, that they’re being sought out. So it is challenging to keep talent.”
Our conversation was a deeply personal interview for myself, an admitted Media and Advertising refugee who went out on my own because of a lack of feeling safe and inspired within workplace culture. A strategic and thoughtful HR leader, Julianna has felt this first hand. Speaking candidly with me, this outspoken change agent reveals that she has seen her fair share of conscious and unconscious biases on her way to excellence in her chosen path.
“You don’t hear it in the words. You may not hear it as discrimination. But I understood that they were talking about me as other.”
To address the ongoing and emerging issues in HR, Julianna describes the all-hands approach she’s part of. It spans a network of hand raisers, executive leaders, and employee resource groups. This community of people within Havas Group have come together to weather these uncertain times, while laying the foundation for a more inclusive workplace.
“I’m really optimistic that our numbers will be better. They could not have gone in the opposite direction with the level of attention and focus that we’ve had in every agency, with every leader, with every open role. So I’m optimistic. We’ll be reviewing our data and sharing [more] in the coming months. I’m really excited to see the progress that we’ve made. I know that it will be in the right direction.”
Below are a few highlights from our conversation (full transcript), curated to help any individual or organization seeking to create a safe space for employees of all backgrounds, orientations, races, and beliefs.
KEY TAKEAWAYS
To read the full interview and to follow the developments of “Driving Change” follow us at Curiosity Lab.
1. Have the difficult but necessary conversations
Listen and learn
“I think there’s a lot of value in just saying how you feel plainly so that we can actually deal with what the matters are at hand, for better problem-solving.”
“It’s difficult for people. And I understand why. But we can still work towards it.”
“I definitely want every individual to be personally accountable and understand their role in change. At the same time, I am very aware of each individual’s challenges in trying to prioritize all of these things that really matter. Our business matters. Inclusion matters in order for us to have a successful business. That’s my belief.”
“When someone identifies a situation as difficult, no matter what it is, I try to break that thing down in a way that’s digestible and give specific steps or a new way of looking at the situation that will help them still move through it.”
“That’s how we’re gonna make that progress consistently: Consistently pushing.”
Act
The tragic events of 2020 and early 2021 made our entire nation stop and pay attention to issues of inequity across our society. However, achieving measurable and sustainable progress will require leaders across all levels to continue difficult but necessary conversations about workplace inequity, safety, and culture change. In an increasingly competitive job market for top diverse talent, this is no longer an altruistic goal. It has become a business imperative to commit to sustaining the conversations that lead to inclusive workplaces and cultures.
2. Invest in this talent-driven market
Listen and learn
“We’re in the middle of the most dramatic talent management situation I’ve ever seen. People are reflecting on the world around them, on their careers, on their lives, what’s valuable to them, what makes them happy, and we’re in a major talent shift.”
“We’re in a moment where, and it’s not just us, retention is a challenge… There’s a moment happening right now from a talent perspective where, certainly for under-represented talent, that they’re being sought out. So it is challenging to keep talent. “
“I hope that all of the angles by which we’re trying to tackle this will signal to any current employees or people joining the organization that we take inclusion, belonging, and safety seriously.”
“I think our recruiters in the past have done a really good job of bringing diverse talent to the table. But we’ve seen in the past, how they don’t make it through. That diverse talent doesn’t make it through to the internship or beyond. So now, as an organization, we’ve been talking about how much this moment of access matters.”
Act
Having difficulty hiring diverse talent? You are not alone. We are in the midst of a hiring crisis, only exacerbated by a reckoning around employee burnout and renewed calls for more supportive work environments. Unfortunately, long standing issues with attracting and retaining under-represented talent creates a further issue in the lack of representation in mid- and upper-level management. This, in turn, makes it a challenge to recruit at all levels. Breaking this cycle will require a significant investment. Hiring top talent will require top dollars and filling the pipeline with good young talent will require proactive investment in training and PR to raise awareness, interest, and access in underrepresented communities.
3. Reshape corporate norms
Listen and learn
“The working environment or what it means to work together in an office space and the experience of collaborating will be changed for the better, for the future.”
“The talent is demanding it. In order for us or any organization in this industry to stay competitive from a talent retention standpoint, you’re going to have to do things differently to keep people and keep them happy. There’s going to be a shift in terms of what we think about the future of work, that people will have to adjust to. Be different and think differently.“
“I think that as we start to see demographics shift, we’ll also see corporate culture shift. Corporate culture meaning, when we think about what’s “professional” or what’s corporate. A lot of those standards have been very white-centered and very eurocentric.”
“From appearance, to tone of voice, to the language that’s used in corporate culture. Even how we interact with people will be different. Because we will have more backgrounds of people that communicate in ways that we hope are based more on empathy. Based more on honesty. Based more in vulnerability and safety. And that will definitely challenge corporate culture.”
Act
Leadership teams that are more male and more white than the populations they support are finding themselves out of touch with the desires of their staff. An inclusive workplace is not one in which everyone is invited to conform to a “corporate norm.” The very notion limits who will raise their hand to participate.
Once we’re able to acknowledge the likely existence of unconscious biases in ourselves and our organizations, the process of deep listening can begin. In order to remake corporate culture to meet the needs of the future workforce we need to involve them in the process. From investing in eye opening programming, to adapting past customs and expectations to address issues of burnout and mental health, staying competitive will require shifts that ask leaders to check their egos and acknowledge their blind spots.
4. Practice gratitude for the wins
Listen and learn
“I’m very grateful that the work that I’ve done over the last year in terms of sharing an approach for employee resource groups and in sharing a framework for DEI initiatives and audits has been received. I’ve been received with very open arms. It means that other people can share their ideas too.”
“I am really grateful for the women of color being added to senior leadership positions within the organization. They are dynamic and wonderful, and thoughtful, and I’m so happy to not be the only at such a senior level. “
“I am grateful for all of our employee resource groups and their leadership. We have staff across the entire network who are so passionate, who have real-life experience and pain that they work through and share with the entire network. And every moment of those shares, I have extreme gratitude for, because people are baring their souls, and everyone has the opportunity to be better for it.”
Act
For DE+I leaders like Julianna Akuamoah, the pursuit of a more safe, equitable, and inclusive workplace is the result of a life of facing and overcoming the very challenges our culture is confronting today. Understanding her experience teaches that driving change is a marathon-like endeavor that requires patience, strategy, and grace — empathetic qualities that all leaders should have. Taking a moment to reflect on and celebrate your wins helps to cultivate the consistency, poise, and resilience required to face these challenges over the long haul.
Watch or listen to highlights of Michael and Julianna’s conversation:
About the author
Michael Tennant is a founder, writer, and movement-builder dedicated to spreading tools of empathy and helping people find their purpose. Before founding Curiosity Lab, Tennant spent 15-years becoming a media, advertising, and nonprofit executive, and delivering award-winning marketing strategies for companies like MTV, VICE, P&G, Coca-Cola, sweetgreen, and Oatly.
Tennant founded Curiosity Lab in 2017 and created the conversation card game Actually Curious. Actually Curious became a viral sensation in 2020 during Covid-19 and the rise of the racial justice movement for helping people build meaningful connections and to tackle the important topics facing our world.
He has channeled his business success and momentum into a sustained movement supporting BIPOC and other underrepresented communities through speaking, writing, leadership, mentorship, consulting, partnerships, and talent-pipeline programs.
From the narrative-changing storytelling initiative, “Driving Change From the Inside“, a look at the DE+I movement in organizations across the country.
CHECK OUT THE FULL SERIES HERE: Summaries, Key takeaways, and Video Highlights
During the same summer that two billionaires made private space travel a reality, NASA announced an $18M investment in STEM diversity. But what’s it look like behind the headlines?
NASA’s investment in STEM diversity signals that the importance of recruiting, training, and maintaining a diverse workforce has risen in priority. This is a positive sign following a year that saw our nation wake up to the realities of injustice and inequality and their effect on government public service (law enforcement in particular). With government agencies under a microscope in the wake of an embattled and racially charged Presidential transition, we were grateful to have the opportunity to sit down with Edward Gonzales, Diversity, Equity and Inclusion lead for Heliophysics at NASA Goddard Space Flight Center, as part of our series Driving Change from the Inside.
Eddie describes his childhood in West Covina, California as something like “Leave it to Beaver,” the idyllic 1950 tv series. However, he says his neighborhood started to change when he was about eight due to a growing gang – and police – presence. He describes it as going “from crayons to handcuffs in a very short time.” When he was 13, his father passed. Then, just months later at age 14, he was heading home from baseball practice when he heard sirens. Suddenly, police cars were everywhere and he knew something bad was going down. What he didn’t expect was to end up brutalized and handcuffed in the back of a police car.
Turns out the suspect they’d been chasing was a 6’4″ blonde haired 30-something. Given his treatment at the hands of the police, his family filed an accusation of police brutality. He describes that as game changing; it ruined his life at the time.
“When I walked to school, I was harassed by the police. When I was old enough to drive, I was pulled over probably about five to six times a week. Most times, they’d make me late for school. Try to explain that to a homeroom teacher. They never believed my reasons for being late because a lot of teachers, families, and students saw what happened that day and assumed that I deserved it and must have done something wrong. No one would listen to me. It really had a domino effect. That one day of being harassed and complaining about it. I paid the price for it throughout my high school years.”
Right out of high school, he got his girlfriend pregnant and worked multiple jobs to support his young family. But a neighbor who believed in him suggested he take a job at an LA law firm in the mail room. He did. And like an American dream, he worked his way up from the mail room to coordinator, then supervisor, then manager. He credits much of this to his father instilling a work ethic in him at an early age.
And – though he passed decades before Eddie took his first role at NASA – his father was instrumental in that move as well. When Eddie was five, his father brought him into the house and said,
“I want you to see this. It was Apollo 13. Not the movie. The actual Apollo 13 when it was happening for real. And for those of you that are unaware of Apollo 13, I encourage you to Google it. These astronauts were on their way to the moon. They ran into an anomaly, and not only were they not gonna make it to the moon, there was a good possibility that they weren’t gonna make it back to earth. But the flight director, Gene Kranz, and the amazing people that worked at NASA as a team brought those astronauts home safely.”
Beyond the clear fact of introducing a young Eddie to the otherworldly idea of supporting missions to outer space, he says it shaped his thinking in a way that persists today. “Failure is not an option. Let’s come up with solutions … watching that whole thing take place, I thought, I want to work for NASA. Not as an astronaut. But as some sort of problem solver. And if I could help people, that would be my dream.”
He joined NASA in 2001. His 20 years there has seen him in many roles. However, from his first day on the job he found himself naturally drawn to the role of mentor and connector. Yet it was not until 2018 when his title first recognized his passion as Principle of STEM Engagement for Underserved and Underrepresented. And just this year he was named Diversity, Equity and Inclusion Lead. In a wide ranging interview, Eddie describes his early childhood, the persistent cultural forces, and the work journey that led him to the role he has today. He also outlines the evolution of NASA’s equity journey – both highs and lows.
KEY TAKEAWAYS
Here are a few highlights from our conversation (full transcript), which should be helpful to any individual or organization seeking to create a safe space for employees of all backgrounds, orientations, races, and abilities to feel confident that they will not be exposed to discrimination, criticism, harassment, or any other emotional or physical harm.
1. Inclusion takes active leadership
Listen and learn
“One of the things that I’m really excited about is our leadership. Not just in Heliophysics, my division, but as a center. They want to make a difference. They want to make a change. I mentioned to them that conversations are going to be uncomfortable, and if they weren’t uncomfortable, then we’re not talking about diversity. So they’re in it. I’ve seen a lot of changes already. I’m excited about it.”
“It’s gotta come from our leadership. They have to be champions of this work, and they are. It also takes community. I love celebrating the role our affinity groups play. Using the AISES group as an example, which is a Hispanic, Latinx affinity group at Goddard, they are amazing at not only taking care of “their own,” but supporting others who are moving to the area and in need of advice. The types of advice that make people feel important, make people feel safe, make people feel equal. The affinity groups are playing a huge role. Whether they’re an ally or whether they actually belong to that affinity group. I think that plays a huge role in being successful. Having a place where people feel equal, important and safe.”
Act
We hear it all the time: change starts at the top. But the reality is that leadership comes from every point in an organization. Not only do we need to see diversity reflected in all levels, we need to actively infuse our management and hiring processes with the tools to empower leaders to do more than set goals, but to achieve them.
2. Say it loud, and outloud
Listen and learn
“In 2008, a memo went out to everyone at NASA Jet Propulsion laboratory. In that memo, it said, if you have any piercings, if you have any tattoos, if you’ve got pink, green, purple, whatever color your hair is, we want you to bring your personality to work. We are eliminating the dress code. Now, as long as it’s not of a sexual nature, or it’s going to offend somebody, feel free to be who you are.”
Act
Maybe your organization doesn’t yet reflect the diverse picture you imagine. Maybe there are issues of diversity you’ve not yet considered. From “professional hair” to “business attire” we create limitations on who can (or “should”) belong in our organizations. Making a clear statement that everyone is encouraged to openly express who they are, to truly be who they are, opens a door to diversity.
3. Active listening is essential
Listen and learn
“When I went to NASA Goddard in 2018…if you will recall, after Rodney King there was George Floyd, may he rest in peace. Because of that, our Center started having listening sessions. People would talk about different things that have happened to them in their childhood.”
“The people that work at Goddard, specifically, the white people, if you will, don’t take the approach of making all these necessary changes. They’re here to listen. “What is it that we can do to be a better ally for you?” They’re not trying to overstep, saying, “Okay, I have a Mexican friend, so therefore I’ve got this all figured out. No. They’re really in it to win it. And they’re doing all of the necessary things. I believe. It starts with educating yourself. Figuring out ways to do that. You could then go to some of the affinity group meetings and listen. You could go to different listening groups and hear the challenges that under-represented groups may go through, that they may not have ever gone through.”
Act
From coffee carts to moderated chats and regular listening and discussion sessions there are many ways that organizations can create discourse among different employees. And differences range from race and class to job titles, departments and divisions. Organizations that encourage open communication foster a level of understanding that will fuel compassion and creativity.
4. Mentorship is a valuable investment
Listen and learn
“Our network is our net worth. It really is. There are non-traditional ways of bringing in people of color from underserved, underrepresented communities. They just need the opportunity. We want to make sure that we create and tell them about those opportunities.”
“NASA continues to collaborate and partner with organizations to let them know that we’re here and we’re going to let them know about internship opportunities, early career hire opportunities, mid-career opportunities, and so on. If we are looking for a specific engineer, say, in Computer Science, that knows how to use a specific coding software program. We can go to minority serving institutions, HBCUs, and so forth and ask them to pull resumes that match. We can provide resumes that NASA may not have been able to see or have access to…. We’re letting the lab chiefs and people in decision making positions know that these organizations exist.”
“When I mentor students, they ask me, “Eddie, what can I do to pay you back?” And I always say “pay forward.” Mentor the next generation of leaders that are coming. If somebody asks you a question, respond. Respond to your emails. If you do a presentation at a school or an elementary school that you used to go to, notice if there’s a child in that room that really needs help. Help that person.”
Act
Identify organizations, universities, and community groups with which you can partner to open new pathways to success. Recognize that excellent employees come not just from “top universities” but may well have had to attend night school or community college while supporting a family and being an excellent employee at several part time jobs. And, as an individual, invest your time and energy in conversations with new hires or information seekers. The investment will pay dividends.
Watch or listen to highlights of Michael and Eddie’s conversation:
About the author
Michael Tennant is a founder, writer, and movement-builder dedicated to spreading tools of empathy and helping people find their purpose. Before founding Curiosity Lab, Tennant spent 15-years becoming a media, advertising, and nonprofit executive, and delivering award-winning marketing strategies for companies like MTV, VICE, P&G, Coca-Cola, sweetgreen, and Oatly.
Tennant founded Curiosity Lab in 2017 and created the conversation card game Actually Curious. Actually Curious became a viral sensation in 2020 during Covid-19 and the rise of the racial justice movement for helping people build meaningful connections and to tackle the important topics facing our world.
He has channeled his business success and momentum into a sustained movement supporting BIPOC and other underrepresented communities through speaking, writing, leadership, mentorship, consulting, partnerships, and talent-pipeline programs.
In the pop culture zeitgeist “Game of Thrones,” the Hand of the King bears the burden of their leaders’ whims. So too might our generation’s diversity, equity, and inclusion (DE&I) leaders when the health of an organization hinges on its leadership’s ability to foster a feeling of safety internally. That means creating an environment where employees of all levels, backgrounds, and abilities feel confident that they will not be exposed to discrimination, criticism, harassment, or any other emotional or physical harm.
Life on the front lines or cutting edge of anything can be a lonely place. But particularly heavy lies the crown of those who are the cornerstones of transforming the future of workplace culture.
With this in mind, we’d like to introduce some of the leaders on the front lines of the diversity, equity, and inclusion movement. These leaders’ each have a personal story that informs the work they do and how they got there. They also posses practical knowledge and experience that can help others make lasting change in their organizations. Over the next few months we’ll share conversations with DE&I leaders from a range of organizations to understand, and learn from, their effortsto support enduring change.
History repeats itself
Last year, organizations across the country pledged to make advancements in diversity equity and inclusion in response to the racial justice movement that arose following the murder of George Floyd. Outraged by the actions of public officers, our country began to look inward at the inequity and injustice surrounding us. Once again, it exposed the lack of representation, psychological and even physical safety existing in our communities and places of work. So, a generation of newly minted and veteran DE&I leaders were empowered – and pressed – to devise and advance equitable agendas.
Meanwhile, optimistic albeit cynical onlookers like myself (an entrepreneur and self identified corporate refugee) could not help but recall similar awakenings in the past. This isn’t the first time outrage has rippled through corporate America. Unfortunately, time and again, we’ve witnessed committed companies and leaders fade into the chorus beneath the lead notes of profits and quarterly goals.
An empathetic approach
After a year working with these leaders as an empathy training consultant, I learned that many of them have overcome a kaleidoscope of challenges themselves. I chose to lay my judgments to the side and to see them as the allies and change-leaders that they are, particularly given a lack of precedent (and often leadership) to guide them.
In an effort to support other optimistic and like-minded leaders, I decided to do my part to help unlock and share their wisdom, elevating their voices so that peers and supporters can hear them. This new project, Driving Change From the Inside, distills insights from intimate conversation with leaders at a range of organizations including NASA, NPR, Robin Hood Foundation, and Havas Group. It is about those who are leading the charge of change to correct issues of discrimination, harassment, emotional harm, and inequity.
Tactics and takeaways
The series dives into the practical tactics and best practices leaders want to learn about and enact. It also offers an intimate look at the people serving in these roles. What we find is that their success requires the passion and support of all the people around them – from the CEO and the board to the entire executive team and leadership team, and rank and file employees who share the mission and belief.
We hope that viewers and readers will open their compassion as they experience the backstory of these individuals as well as the complicated layers of their present. As one interviewee said, “we’re running the same race but with different roadblocks.”
Driving change
All of our interview subjects have attained great achievement. Their stories are remarkable, but far from over. These conversations provide insight into the work required to establish and maintain a culture that fosters the DE&I agenda, including the steps our guests have taken, the processes and procedures they’ve implemented, and the support systems they’ve needed to achieve short- and long-term goals.
In the absence of an inclusive and empathetic past to guide us, these pioneers are writing a guide book that we all can put to work in our own organizations. Through these conversations, we can begin to understand the “why” behind what leaders do that equips them to show up day after day in the arena, bloodied while projecting grace, and Driving Change From the Inside. Their experiences and insights give us hope and support as we shape the future of work with diversity and empathy at the core.
Key takeaways, highlight videos and full interviews:
Michael Tennant is a founder, writer, and movement-builder dedicated to spreading tools of empathy and helping people find their purpose. Before founding Curiosity Lab, Tennant spent 15-years becoming a media, advertising, and nonprofit executive, and delivering award-winning marketing strategies for companies like MTV, VICE, P&G, Coca-Cola, sweetgreen, and Oatly.
Tennant founded Curiosity Lab in 2017 and created the conversation card game Actually Curious. Actually Curious became a viral sensation in 2020 during Covid-19 and the rise of the racial justice movement for helping people build meaningful connections and to tackle the important topics facing our world.
He has channeled his business success and momentum into a sustained movement supporting BIPOC and other underrepresented communities through speaking, writing, leadership, mentorship, consulting, partnerships, and talent-pipeline programs.
After two years, London Fashion Week is back with crowds, front rows, and shows. And the welcome strut of models on the catwalk brings with it the potential for great strides forward in making the industry more representative of society.
The British fashion industry has taken up a diversity initiative born in the BBC’s London newsroom but made it their own. Indeed, they’ve innovated in ways that could be trendsetting for newsrooms, content teams, and the fashion publications devoted to their work.
The partnership with the BBC’s 50:50 Project began that to the BBC’s Director of Creative Diversity June Sarpong joined the BFC’s Council. In September 2020, she became part of a newly formed BFC diversity and inclusion steering committee, which initiated the discussions of how 50:50 could be used to collect representation for the fashion industry.
Twenty design businesses signed up to use the 50:50’s data collection model at this September’s London Fashion Week. They were asked to collect diversity data from their teams represented at the event, which the BFC will collate. The results will be fed back to designers to support their future decision-making.
Katie Rawle, the BFC’s Senior Business Development Manager and co-lead for the Council’s 50:50 initiative, said, “Our initial thoughts about taking on 50:50 was how it could be empowering for designers. We’re empowering them to add further consideration to their decisions based on the data sets we give back to them.”
Sarpong believes that the success 50:50 has had within the BBC (and elsewhere) will positively impact London Fashion Week. According to Sarpong, “50:50 encourages all businesses to make more conscious choices around their teams from full time employees to the freelancers employed at shows, from models, to stylists, hair and make-up artists, communications and production teams.”
The BFC’s program adheres to the 50:50’s core principles: Collect data to effect change, measure what you control, never compromise on quality. These are the same cornerstones used by more than 100 partner organizations across the globe.
As Rawle said, collecting data to effect change for the fashion industry is all about informing designers’ future decision-making. September’s London Fashion Week will set the benchmark for them and the industry at the tri-annual event and they will then seek to improve their previous performance where necessary. The BFC has pledged to publish the industry’s data after 18-months. Critically, this aligns with the 50:50 ethos: Change not only happens – but is seen to happen.
Beyond a superficial makeover
The fashion industry has advanced the “traditional” 50-50 model in that the design businesses also collect data on their behind-the-scenes staff. This includes everyone from the design teams themselves to hair and make-up, models, production, and communications.
Yvie Hutton, the BFC’s Director of Membership and co-50:50 lead, said the decision to use 50:50 for off-camera contributors was inspired by an improvement in the editorial sphere over the last five years. She believes a similar evolution is happening behind the scenes in the world of fashion – but would like to confirm it in numbers. And if it turns out more change needs to happen, transparency can only help.
“50:50 is such a great way to look at all the different sort of stakeholders that make up the industry and come together for a major event,” she explained. “It will give us a better understanding of whether people’s perceptions match the reality.”
Saul Nash AW21
Tailored collation
So how does the BFC’s adapted version of 50:50 work? Most of the 50:50 media partners monitor their content through perception and collecting that data on aggregating spreadsheets. This allows daily output that is simple, fast and can fit into a content-makers’ workflow. However, London Fashion Week is collecting its data through QR-codes.
Hutton explained that any contributor could simply scan the QR code on their phone and fill in a self-declaration survey there and then. She says that this method of data collection fits better with the industry’s current practices and for capturing off-catwalk representation. As with the media’s approach, it also allows data to be collated quickly and fed back to designers to support short-term and future decision-making.
Newsrooms looking to garner more actual data – as opposed to audience perception data – may want to consider the QR collection method. Sending it to a contributor before transmission or publication will allow them to use the data in real-time, which could be quite powerful.
A deeper look
In addition to extending the data collection on the who, the BFC have also widened the scope of what characteristics they are monitoring. They’re examining not just what the audience can see but those behind the scenes.
Rawle explained that, as with 50:50, they are monitoring gender, disability and ethnicity However, they have also included socioeconomic diversity (SED). Fashion, like the media and other creative industries in the UK, has been identified as lacking employees from working-class backgrounds.
“There’s this idea about creative industries that they’re a meritocracy and that you just work hard and you can make it and that isn’t the case,” she said. “I think we have to acknowledge that and that was one of the things that came out of the 50:50 pilot [at June’s London Fashion Week]. People were keen for us to capture it socioeconomic diversity, as well as the other characteristics.”
source: Social mobility in the Creative Economy
A recent report on social mobility in the creative economy highlighted how what Rawle describes here mirrored in the media. According to the research by PEC, 28% of those in film, TV, video and photography are from working-class backgrounds, while 41% come from what they describe as “privileged backgrounds.”
Fashion forward
At the very least the partnership forged between the media and the fashion industry through 50:50 is a powerful one. We share a common goal to create products that better reflect our world. And, as we see through each of our partnerships, there is much to be done, and much to learn.
In the case of the BFC’s approach to 50:50, they added in the element of class and economic diversity. To date, 50:50 has not been used to understand class as it is impossible to accurately perceive. It is interesting to consider the possibility of the BFC’s simple QR survey offering a means to capture this or other diversity dynamics.
We will be watching the BFC’s progress with interest, especially the BBC’s 50:50 external partners lead Miranda Holt. She has been working closely with the BFC and hopes their work will have an impact on representation within the media in the long-term from a different angle.
“At 50:50 we talk about how the media alone can’t change the representation our audiences see, hear and read,” she said. “Our pool of experts, spokespeople and contributors come from across a multitude of industries and sectors. If those people are not reflecting society, then it impacts our ability as content-makers to represent all. So, when industries – such as fashion – take steps to ensure their sector is representative it will have an impact for us. It will mean the media’s coverage of fashion can also better reflect our world.”
The emphasis, believes, Holt is on long-term. And Hutton agreed, pointing out that the British fashion industry’s 50:50 journey is just beginning, and that it will take time to create the change to which they aspire. There is no shortage of ambition. In two years’ time, she hopes the work being done now – not only with 50:50 but with other commitments on diversity and representation – will result in an industry that is not elite, but genuinely open to all.
“We’re playing a long game here and we all appreciate that this is an ongoing conversation,” Hutton said. “It’s not going to be an overnight success. It feels like it’s the very beginning of something that could be significant and it’s exciting to be part of it – to be at the forefront.”
Opening art credit: palmer//harding AW2120 (British Fashion Council)
