Category results for "Video"

comScore Looks at Multi-Channel Media Consumption to Reveal Real Value

June 12, 2014 Michelle Manafy, Editorial Director – DCN

While the proliferation of digital media devices and its effect on consumption patterns presents challenges for media and marketers, it also creates opportunities for increased reach, according to a new comScore White Paper, “From TV to Total Video: How Integrated Video Planning Can Transition Advertising from Upfronts to Allfronts.” While comScore finds that “rampant digital media proliferation is a value-creating event” the research also shows that there is “considerable value currently being left on the table.”

“We’re all very familiar with the way the consumer is transitioning to more and more platforms,” says comScore Vice President of Marketing & Insights Andrew Lipsman. “Fortunately, much of this activity has been incremental so far; one platform is not taking away from each other.” However he also points out that in younger demographics, new habits are developing that may indicate bigger shifts to come. “Particularly among millennials, there is a shift away from TV to online, set top boxes and mobile. Sooner or later, it will hit a point of no return, where video is not just the domain of what is happening on TV.”

The good news is that there’s time to prepare for the shift so that everyone within the media ecosystem can maximize the full range of content delivery channels. “Right now we’re at a point of transition and we have a period of time here where everyone can manage this transition before we have to worry about any possible cannibalization crisis.”

In the meantime, Lipsman says that it is important to continue to develop cross-platform measurement so that media companies “get credit for the full audience they reach” but also so that marketers can more effectively address those audiences. Currently, much advertising buying and selling remains channel focused—desktop, mobile, television, print. However many believe that the most effective initiatives are user-centric, finding the right audience wherever they are with the appropriate message.

“One of the most important, critical points in this whole debate is that, to optimize GRPs, you need to be able to look at all of the channels together to optimize for reach and frequency goals,” says Lipsman.

comScore’s study examined the incremental reach by channel for the duration of a given campaign. In a frozen vegetable brand example, the campaign’s cumulative reach via TV hit a plateau halfway through the campaign, providing no significant additional reach despite continued spend. However, the incremental reach provided by digital platforms (in this case, web and online video) continued to increase even after TV reach had flattened, resulting in a 12.2% increase over the course of the 14-week campaign. As Lipsman points out, this level of multichannel awareness will provide a way for marketers to address audiences more efficiently and to spend more effectively given limited budgets.

Large shifts such as these take time, though. And while comScore has already invested five years of R&D into the issue of cross-platform measurement (with new Video Metrics 3.0 and a Total Media Planning System offerings rolling out this Fall), Lipsman foresees a period of transition akin to the shift from click-through to view-through metrics. “Maybe I’m a bit biased being part of a measurement company, but one of the things we’ve seen is that the big paradigm shifts have happened when there’s been measurement to support the changes. We need to be able to provide the data and insights to help make these decisions more effectively so that media can do better monetizing and marketers can work more efficiently. If we can bring buy and sell side along at the same time, that will change the industry.”

Innovation | Video

Scripps Networks Interactive Continues ulive Momentum with Three New Shows

May 23, 2014 Michelle Manafy, Editorial Director – DCN

This week, Scripps Networks Interactive’s online lifestyle channel ulive announced the launch of three new series, marking the continued expansion of the digital network’s original programming. Lisa Choi Owens, COO of ulive says the channel “has not only seen growth in the network and publisher partners, we’ve seen tremendous growth in our programming, with well over 100 original series, many returning from last year,” including the two it renewed this week, EstheKitchen and Sick Kitchens with Nadia G.

Owens was instrumental in the launch of ulive last October when she and Jeff Meyer, now the President of ulive, realized that they had significantly more demand than supply for Scripps’ video inventory, which boasts popular brands such as HGTV, DIY Network and the Food Network. As Owens says, “It is also hard to see hockey stick growth from established websites.” The two recognized they were “sitting on a demo where a lot of content was not available in the market.” ulive was launched to fill that gap, as well as to expand Scripps’ existing lifestyle dominion from food, home and travel to include “all those things the average female viewer is interested in” including wellness, exercise, pets, parenting and more.

The ulive network has been particularly successful with the 25-39 female demographic, which Owens describes as “both fortuitous and planned, given that this is a desirable demographic for us, but also that this type of content will naturally resonate with that audience.”

“This audience goes online to be informed, entertained, and inspired,” says Lauren McGrath, Development Coordinator at ulive, who cites recent research undertaken by ulive and POPSUGAR as confirmation. She and Owens agree that the new shows in the lineup fit the bill perfectly:

In Dear Buddha, comedian Carey Reilly explores non-traditional roads to wellness, like sound therapy, equine therapy and reiki;
5 Minute Relaxation Anywhere features fitness guru Natasha Lloyd as she helps viewers chillax, as the title promises, anywhere, anytime;
In Fit Nonstop, SoulCycle instructor and YouTuber Kym Perfetto shows viewers how to adopt her no-BS approach to fitness, no gym required.

McGrath says that “last year’s 5-minute Workout Anywhere with Craig Ramsay was a huge success,” which she attributes to the optimal content, format, and delivery—suited to the audience’s busy lifestyle. The newly announced programming will all be short-form, running three to five minutes per episode. Owens says that ulive’s research clearly shows that “for our categories, short form works best.”

According to McGrath, what also works well for this audience are hosts that both entertain and inform, “Carey perfectly encapsulates our demo. She is a real life mom that brings comedy and entertainment value, but is always striving to learn more and better herself. That authenticity makes her incredibly fun to watch.”

Given its growth trajectory, ulive is in the market to develop new programming. And this week, the company announced a partnership with the New York Television Festival as a development partner. The two have also teamed up, along with fellow Scripps Networks Interactive brand the Travel Channel, to award a digital series to an independent artist participating in this year’s New York Television Festival. Original concepts will be vetted from the NYTVF’s 2014 class of Official Artists who participate in the NYTVF Pitch this fall. “This is a great way to partner and incubate talent,” says McGrath. “We feel that the talent pool of independent artists is incredibly deep and we look at the NYTVF participants as the future of content creators in our industry—including talent, producers and production companies.”

As ulive continues to develop its programming, Owens emphasizes that it isn’t a question of volume. “We’re dedicated to creating very focused content that continues to be useful, but also entertaining and authentic.”

Research | Video

Infographic: Online Video Advertising Insights

April 24, 2014 DCN

With nearly all of our favorite websites now featuring video content, online video advertising is no longer a market for just YouTube and Hulu. The market for online video advertising, while young, is already enormous and it’s growing rapidly. Last year eMarketer forecasted that digital video ad spending will grow to $9.1 billion in 2017, and nearly one third of marketers are already shifting budget from online display and television advertising into online video ads, according to a 2013 study from Adap.tv and Digiday.

For publishers and advertisers there are still many challenges and questions about how to best capitalize on online video advertising. For example: What is the ideal duration for a video ad? What are some sophisticated ways to package video with traditional digital advertising to increase brand visibility?

To begin to answer these questions and gain insights into the online video advertising market, MediaRadar analyzed thousands of online video ads across more than 100 websites between November 2013 and January 2014. The study revealed some very interesting trends.

A few quick takeaways:

While the vast majority (79%) of online video ads are either 15 or 30 seconds long, 30 second ads are about 10 times more likely to have a skip option than 15 second ads. Perhaps counter-intuitively, shorter ads can deliver more brand messaging than longer ads.
When it comes to the high-impact packaging of online video with various forms of display and rich media ads, there are opportunities to be an early adopter within certain categories. While 52% of video ads on food websites are accompanied by display ads, just 11% of ads on tech sites also feature an accompanying display ad.

The findings are summarized in the infographic below:

Innovation | Video

Conde Nast Entertainment Tees off Sports Video with Launch of Golf Digest Channel

March 20, 2014 Michelle Manafy, Editorial Director – DCN

Condé Nast Entertainment launched its first sports video channel yesterday with the debut of the Golf Digest Channel. According to Molly Baldwin, Director of Editorial Operations for GolfDigest.com, “We see a really big future in video—particularly when it comes to instruction,” which is something the brand has long focused on.

While Baldwin is enthusiastic about the opportunities to create more effective learning moments for the Golf Digest audience, she believes that video gives the brand ways to deepen audience relationships as well. “The fact that instruction works well in video is very natural for our brand, but any brand would be remiss to think they could only rely on print. Every brand has to evolve and go to where audiences are, which is increasingly in front of a screen.”

Not only does Golf Digest find itself with content that effectively transitions from the page to video—such as the “Hungover Caddie” column, which will become an animated series—Baldwin says they’ve got a wealth of talent that already shine on video. Among these is Ben Crane, who Baldwin describes as “a comedic genius… in addition to being on the PGA tour,” who will host #GolfSecrets with Ben Crane. This increased emphasis on video content will also afford Golf Digest a means to further develop its editorial staff on screen.

Unsurprisingly, Baldwin says “There’s been a wealth of demand for video advertising,” which is certainly a driving force behind Condé Nast Entertainment’s continued expansion in video offerings. This is its ninth digital video channel since its 2011 launch and the second this year. The Golf Digest channel launched with Callaway as its sponsor, leveraging pre-roll and in-stream video overlays. And Baldwin says that they’ve already had “great interest from both endemic and non-endemic brands” and have had early discussions around product placement and custom content. “This is a space advertisers want to play in.”

“It is still early days for this play in digital video and we are eager to learn from our audiences what they want and what works. That’s the great value digital brings,” says Baldwin, “we get immediate feedback and we can continue to learn and experiment.”