Category results for "Revenue"

Subscription growth trends to watch in 2025

February 13, 2025 Damian Radcliffe, Carolyn S. Chambers Professor in Journalism – University of Oregon

Subscriptions remain a vital revenue stream for most media companies, but the landscape is rapidly shifting. In response, publisher strategies also need to adapt and evolve.

The days of easy subscriber growth are over. To drive subscription growth, media companies must double-down on addressing core challenges such as churn, consumer fatigue, declining social referrals, and opportunities afforded by AI to sharpen their engagement strategies.

This will mean focusing on retention and maximizing lifetime value. Media organizations will also need to refine paywall strategies and offer flexible, engaging, experiences to ensure audiences keep coming back – and, ideally, keep paying for your content.

To better understand these trends, I reached out to four leading industry experts: Kevin Anderson, Peter Houston, Greg Piechota, and Madeleine White, and examined the latest insights from WAN-IFRA and the Reuters Institute for the Study of Journalism.

Here’s what you need to know.

Trend 1: Retention is king

“Publishers long ago converted the low-hanging fruit of their most engaged audiences to subscribers,” notes Kevin Anderson, Director Consulting Services at Pugpig. This is one reason why, as the latest Digital News report revealed, subscription growth has largely flattened.

Moreover, in an era of news avoidance and on-going declines in social media referrals, “the flow into the top of the conversion funnels is drying up,” Anderson adds. “Growth is getting harder to find.”

As a result, a focus on retention will a key priority for publishers in 2025. Afterall, as Greg Piechota, Researcher-In-Residence at the International News Media Association (INMA), reminds us, “you make more money with higher retention than with higher price.”

An emphasis on reducing churn and developing long-term customer relationships can be seen across the subscription economy. Recurly’s 2025 State of Subscriptions report found that return acquisitions account for 20% of new subscribers, underlining the value of retaining your audience.

Tactics to successfully do this include payment flexibility (e.g. weekly, monthly and annual plans), and the ability for users to pause a subscription, rather than cancel it.

Local newspapers like the Bangor Daily News in Maine, enable you to pause your print subscription when going on vacation. The New York Times offers something similar. Applying this principle to digital products may reduce cancellations and keep more consumers engaged long-term.

This matters because, as The Daily Beast discovered, subscribers are worth 18 times more than unknown users. And that figure grows to 169% when revenue from first-party data and advertising is taken into account across channels such as newsletters and apps.

Retention strategies therefore need to encompass your whole product stack. Newsletters, apps, podcasts and push notifications aren’t just pathways to conversion. They are a means to drive revenue and deepen audience loyalty across multiple touchpoints.

Trend 2: Harness AI to become truly audience-first

Media companies have talked about being “audience-first” for years, says Madeleine White. But a lot of this potential is unfulfilled, she contends. White, VP Marketing at Poool, and Editor In Chief and co-founder of The Audiencers, believes advancement in AI offers a means to finally deliver on this promise.

AI allows us to segment readers based on interests, engagement levels, and traffic sources. This means that media companies can move away from generic offerings to more personalized experiences that support subscription growth.

White points to TIME’s Person of the Year experience as a case in point. Through the use of Generative AI, audiences could consume the cover story through a range of formats. This included an audio version, a concise summary, an in-depth analysis, and the ability chat with an AI assistant about the winner, President Donald Trump.

“Instead of simply kind of creating this single form, the article becomes shapeless,” White says. “It can be transformed and controlled by each reader, which is basically what audience first, is all about.”

*Through the use of Generative AI, audiences could consume the cover story through a range of formats.*

Trend 3: AI-powered paywalls become commonplace

Dynamic AI-driven paywalls are nothing new. But they are growing in adoption and sophistication. And this evolution offers subscription growth.

As INMA’s Piechota explains, “publishers are using data and AI to tailor paywalls more precisely. This boosts conversion by predicting both each user’s and each article’s propensity to subscribe.”

Hearst USA is one such publisher adopting this more sophisticated approach. They worked with Mather Economics to create a machine learning model that uses 75 different variables to trigger actions designed to mitigate churn and engender long-term customer loyalty.

“The biggest challenges lie around putting this into practice,” White contends. Many “publishers are kind of trying to jump the gun and go straight to a very machine learned AI based model,” she says. She recommends a more incremental approach. Articles that provide unique value should sit behind a paywall, White suggests. More “commodity content” can be open to all, in order to get as much advertising revenue as possible.

Argentina’s Clarín, the Spanish-language newspaper with the largest number of digital subscribers in the world, is already adopting this approach. As outlined by Spanish journalist and consultant Ismael Nafría, hindering access to what Clarin calls “decisive articles” is essential to persuading audiences to subscribe. The publication seeks to publish 10 to 12 of these kinds of articles per day.

Trend 4: Bundling 2.0

I wrote about bundling strategies back in May 2023. Since then, a growing number of publishers have sought to innovate and expand their efforts in this space to fuel subscription growth. Piechota observes how companies aren’t just bundling their own products. They’re “increasingly partnering with other publishers, even competitors, to engage broader audiences.”

One such business, The New York Times, “is obviously the Queen of the bundle,” says Peter Houston, co-founder of Media Voices and the author of The Magazine Diaries.

Last summer it was revealed that nearly half The New York Times’ digital subscribers pay for more than one Times product. The Times offers a range of combined and standalone subscriptions across its verticals for news, cooking, games, audio (a subscription launched in the past year), product reviews (Wirecutter) and sports (The Athletic).

The Gray Lady recently announced it has more than 11.4 million total subscribers. However, that hasn’t stopped it looking for subscription-rooted partnerships, at home and abroad.

Meanwhile, both Anderson and Piechota point to the success of the Norwegian publisher Amedia as a leader in this space. “Amedia is a super bundler,” says Piechota, “selling readers access to more than 100 brands with one price and app.” He notes that 75% of digital subscribers at Amedia upgraded to such a bundle; compared to 50% at the Times.

Trend 5: An emphasis on pricing and value

Media companies are increasingly vying for our time, as well as our wallets. “If Netflix puts its prices up, do you cancel Netflix, which you watch for hours every week, or the hobbyist magazine which you love but only read once a month?” asks Houston. Against this backdrop, the perceived value of your offer will define a consumer’s propensity to subscribe or keep a subscription.

The breadth and depth of content you offer is part of this equation. However, specialist content, which allows you to dig deeper, can also be a major draw. As Houston explains, “super-niche coverage will also become attractive to consumers who want less distraction and more of what they really care about.”

Tortoise Media’s Daily Sensemaker podcast Is a case in point. It hits multiple consumer needs via a daily 10-minute show exploring a single topic, designed “to make sense of the world.”

“Value adds” can also be part of this mix. Membership models have long leaned into this, with a mix of exclusives, events and discounts. Last week the podcast The Rest Is Politics US announced that founding members would be able to join recordings of new episodes live on YouTube. Everyone else gets to see (or hear) the show a day later.

Print might also be part of the equation. In October, The Atlantic revealed it would return to monthly editions of its print publication due to subscription growth and a return to profitability. The title had been published 10 times a year for 22 years running.

And after a four-year hiatus, Saveur magazine, a 30-year-old gourmet, food, wine, and travel publication, resumed print editions last spring. “We see our print product as the couture of our brand,” Editor in Chief and CEO Kat Craddock told The Publisher Podcast. “It’s for the superfans.”

In short, subscribers want to feel they are getting their money’s worth, both in terms of content and experience. Delivering on both of these fronts is the sweet spot publishers will increasingly need to hit to drive subscription growth.

Assembling strategic pieces for subscription growth

The subscription landscape is beginning to undergo a major transformation, driven by the need to innovate, and the ability to harness AI and audience data to create more tailored and media-rich offerings. These factors combine to create opportunities for subscription growth.

INMA’s Greg Piechota highlights the key takeaway. “The common thread,” he says, “is a blend of differentiated journalism and engagement-driving products.” And this must be underpinned by “mastery in data analytics, and a willingness to experiment.”

Success in this arena is vital for the financial health of most media companies. A survey of 326 media leaders in 51 countries, as the Reuters Institute’s annual predictions report, found that 77% of respondents said subscriptions were “likely to be important or very important” for their company in 2025.

To succeed publishers must move “beyond long and discounted trials, and targeted price increases at renewal,” Piechota contends. Moreover, as Pugpig’s Anderson points out, although many publishers have been trying to increase the average revenue per user (often through premium bundles), that’s not an option that’s open to everyone.

As a result, in the coming year, expect to see a refinement of subscription tactics, with an emphasis on retention, personalization, and flexibility. These principles will cut across price structures, bundling strategies and wider engagement strategies.

“The bottom line for subscriptions is that people don’t want to waste money or time on them,” argues Media Voices’ Houston. “So many people have a bloated subscription stack and the reckoning is coming.”

With many outlets continuing to see a decline in monies from advertising and print, an emphasis on reader revenue will remain a strategic priority.

As Poool’s White emphasizes, that means it’s more important than ever to deploy user-focused, audience-first approaches. These models value loyalty and long-term relationships more than short-term conversions.

Continued subscription growth is possible for media companies that understand and incorporate these factors. By evolving their subscription growth strategies, they will be most likely to prosper in the year ahead and beyond.

Advertising | Industry-Research | Revenue | Supporter Spotlight

Are legacy channels starting to hijack digital budgets?

January 20, 2025 Matt Krepsik, CEO – MediaRadar

In the first eight months of 2024, digital channels captured $107 billion in media spending, or nearly two-thirds of all available advertising dollars in the U.S.

Is it the end of the road for legacy advertising channels like print, TV, radio or out-of-home?

Keeping track of media spending

I’ve spent the past 20 years working in advertising, on the buy side, sell side, and right in the middle as a third-party data provider. I can’t recall a time when the industry didn’t predict that digital advertising would one day overtake traditional advertising. In the U.S., that threshold was reached in 2019 — to no one’s surprise — and digital media now accounts for 65% of all media spend around the country. But over the past year, I’ve noticed a fascinating new dynamic at play.

It appears that new digital channels aren’t stealing media dollars from traditional channels like they might have done in the past, but from other digital channels.

At MediaRadar, we monitor millions of brands around the clock and keep track of their day-to-day media investment decisions. We help advertisers understand what their competitors are up to and publish regular public reports on the state of the industry. We just released a new comprehensive report that shows that digital channels are continuing to grow, but at uneven rates, and that some traditional channels are surprisingly resilient, against all odds. For media executives looking to stand out in an incredibly crowded media environment, the strategic implications are momentous.

Digital channels dominate media spending budgets

There’s no question that digital media still dominates media budgets across most industries — from CPG to department stores, automotive, quick-service restaurants (QSRs), tech, or financial services. Digital channels like paid search, mobile, or paid social offer advertisers superior targeting capabilities, immersive user experiences, and a direct link to crucial outcome metrics like sales and new subscriptions.

Paid Search, for instance, grew 6% for the Jan-Aug 2024 period compared to the same period in 2023. Mobile grew 9% and display advertising 20%, buoyed by their versatility along the whole consumer journey (from top-funnel brand awareness campaigns to bottom-funnel sales conversions) and a mature programmatic ecosystem.

Traditional channels show resilience

Traditional channels aren’t growing as fast but they’re holding their ground. Linear TV, for instance, experienced a 3% increase in spending in 2024, driven by the continued appeal of high-profile sporting events and record-breaking political ad spending. These events draw large, engaged audiences to linear TV, and that won’t stop anytime soon now that TV rights for the NFL and NBA have been renegotiated.

Local radio remained relatively stable too (it declined by 1% in 2024), offering consistent reach for both local and national advertisers. Its ability to target specific geographic areas with tailored messaging continues to make it invaluable for local businesses.

Where to draw the line?

What should we make of new media channels like over-the-top (OTT) streaming, podcasts, or retail media? Are they new digital channels or digital reincarnations of traditional media channels with a different distribution method?

We’re starting to see some evidence that much of the money being poured into OTT these days isn’t coming from linear TV budgets anymore but from other digital channels, like online video. Similarly, podcasts aren’t cannibalizing local radio, and retail media isn’t growing at the expense of in-store advertising. Those new channels are as much a threat to digital media dollars as they are to traditional media dollars.

Traditional media channels are reinventing themselves for the digital age, and the line is starting to blur between traditional and digital media. At the Upfronts and NewFronts this year, streaming will be a central part of the conversation, not just a sideshow, and it will be crucial for media executives to offer combined audience packages that integrate the reach of traditional media with the targeting capabilities of streaming platforms.

Cross-channel synergies are the future

With so much fragmentation in the media environment, it’s become extremely difficult for brands to reach their target customers and prospects. Omnichannel marketing has become a top priority for them, which means that media companies need to collaborate more with one another to present a united front — from planning to activation and measurement.

Now more than ever, a well-balanced media mix is crucial for advertisers to maximize reach and engagement. Digital channels like paid search (24% of total media spend), mobile (14%), or paid social (10%) are leading the charge. But traditional media like linear TV (23%), radio (3%), and even print (6%) still hold significant value, especially near the top of the funnel. It’s time to develop more cross-channel synergies so that advertisers may curate a consistent and engaging user experience across all the touchpoints in their media mix, captivate consumers, and nurture long-lasting relationships with them. AI and advanced analytics can help, but only if the strategy is clear.

So yes, after years of digital channels hijacking media dollars from legacy channels, legacy channels are now flipping the script and reinventing themselves on the back of digital channels. In 2025 and beyond, let’s not talk about who is stealing what share of voice from whom anymore. Rather, let us focus on working together to meet advertisers’ objectives and deliver a better all-around consumer experience. The advertising pie will take care of itself.

Advertising | Featured Post | Revenue | Video

Streaming and advertising: A classic tale—with a twist

December 19, 2024 Charlotte Henry – Independent Media Reporter

The value proposition of streaming may once have been ad-free experiences. However, today’s media companies seek to have as many viable revenue sources as possible. And, for streamers, that inevitably means showing commercials. However, there’s a balancing act between offering a streaming service worth subscribing to and advertising experiences worth paying for.

There are lessons to be learned throughout the streaming ecosystem. One thing that experts agree on is that improved targeting is critical to attract brands and advertisers. Providing the insights that marketers want is essential for getting them to spend their ad dollars on streaming platforms.

Mixed revenue moves to the fore

The shift to a mixed model didn’t all happen this year, but these last 12 months feel like a point from which there is no turning back, not least because Amazon Prime Video joined Netflix in having an ad-supported offering. Other services have had them from the outset—a smart move given the high sign-up rates for ad-supported streamers.

Adding a cheaper ad-supported tier into the mix helps streaming services bring in the last holdouts and retain more of those that may be tempted to quit. To some extent, the companies actually want their customers to drop into the advertising tier because the more people seeing adverts, the more the streamers can charge for the spots.

Amazon faced a particular backlash when it launched its ad-supported tier on Prime Video this year. Unlike equivalent offerings on Netflix and Disney+, which make such tiers cheaper, Prime Video subscribers get adverts by default at the existing price and have to pay extra to not see them. To encourage retention when introducing an ad tier, companies must avoid making users feel like they are getting a degraded service or having a price rise forced upon them.

For Netflix, the addition of an ad-supported tier seems to be working. In the third quarter of this year, it added 5.1 million subscribers. The company said that in countries where the Basic with Ads tier is available, it accounted for over 50% of those taking out a subscription. This growth is crucial to Netflix because, while it might be the biggest streamer overall, it needs to find a way to bring that heft to its advertising offering.

A course correction

This is all despite the fact that, for years streamers (and Netflix in particular) worked hard to convince the audience that they wanted subscriptions instead of adverts. As Tom Harrington, Head of Television at Enders Analysis puts it: “Netflix had been telling its subscriber base for basically a decade ‘ads are the worst thing. You don’t need ads. Just pay us money.’”

However, after two bad quarters, the streamer changed its tune and launched the Basic with Ads tier in 2022. Harrington describes this as a “kneejerk” reaction. He believes that the Netflix ad product is not innovative. He also argues that traditional ratings arbiters produce more reliable data and provide a better understanding of who is actually seeing the adverts.

The lack of granularity remains a key problem among streamers as they try and draw in brands. Harrington explains that “Netflix doesn’t really know that much about its subscriber base” and argues that Netflix “is not set up” for advertising and rather rushed out its product.

The ad tools from Netflix and other streamers remain rather blunt and old-fashioned. These firms know which account played a show and which ads were served, but seemingly very little beyond that. Ollie Beckwith, Head of Digital Engagement at consultancy Sodali & Co. shares a similar view to Harrington. He argues that other digital platforms might still be more useful to advertisers, despite the popularity of streaming.

“Even in an evolving cookie-less world, social channels like LinkedIn have grown to reach users based on highly detailed demographic variables,” he said. “On the flip side, despite Amazon owning Amazon Web Services (AWS), a platform that collects and delivers data and insights, the targeting capabilities on Amazon Prime Video are too broad to have a meaningful impact on corporate individuals, the same can be said about advertising on Apple TV.”

Thus, it is critical that streamers work to improve their targeting capabilities to stay competitive in the digital ad space. AI is likely to play a significant role in this. Spotify has already incorporated it and other platforms need to focus on an effective rollout of ad-related AI technology for everything from operations to creative.

Offer meaningful advertising opportunities

Jayesh Rajdev, Controller of Advanced Advertising at ITV, a Public Service Broadcaster (PSB) in the UK, pushes back against the narrative that streaming ads are inefficient. He says that the partnerships his company has with credit ratings agency Experian and major supermarket Tesco help it provide its advertisers with meaningful targeting.

He explains that ITV has “a really well-established partnership with Tesco where we’ve matched [streaming service] ITVX users to Tesco Clubcard holders at a registered user level. So, you’ve got the biggest viewer graph, if you like, matched to the biggest shopper graph.” Ultimately, the ITV ad innovator argues that the “ability to build an almost funnel centric approach to how you use or deploy your TV advertising has become really powerful.”

Things are moving forward too. “We’re evolving from attributes to attributes plus intent,” he says. I.e., instead of just knowing characteristics of the person with the account, they can identify some shopping intentions too. This is going to be another crucial thing for any streaming platform to develop moving forward.

Streaming advertising opportunities ahead

Given the developments we’ve already seen over the last 12 months, the year ahead in streaming advertising is likely to be a fascinating, and rapidly evolving, one. Making advertising more interactive will be one area of focus for the industry.

Mike Caprio, SVP, GM Global Advertising at unified video tech platform JWP Connatix believes that in 2025 we will see “the fusion of commerce and video as payment processors like PayPal and eCommerce platforms like Shopify enter the fray. Shoppable video—with seamless purchase integrations—emerges as a critical tool for performance-driven campaigns.”

Rajdev reveals that ITV is “about to launch our own really pioneering lead gen ad format that is all remote control initiated for the viewer, and a really slick experience that enables our to convey interests in an ad on ITVX really, really quickly and in a super, super slick way.”

Another key area of opportunity is sports, where viewers are generally used to, and accepting of, advertising. “Sports will serve as a huge opportunity for the growth of ad-supported streaming in 2025,” according to Keith Bedford, General Manager EMEA of streaming tech company Wurl.

“As studios and sports broadcasters struggle to tie in major upfront deals and connect with younger audiences, new models for revenue and content discovery will be required,” adds Bedford. “Short-form video could be one way we start to see sports content companies garner interest and boost engagement for their long-form and TVOD [transactional video on demand] businesses.”

One thing is clear, from adding interactivity to improve targeting, those offering ad-based streaming platforms are going to have to keep innovating if they want to draw in marketing dollars from big brands. Despite the fact that streaming seems to edging closer to classic television experiences (and business models), today’s brands expect to know their money is being spent wisely, and streaming platforms will need to prove it.

Advertising | Revenue | Supporter Spotlight

4 Improved monetization paths for publishers in 2025

December 16, 2024 Jason Kalin, Chief Business Officer – Nativo

In 2024, the publishing and broader digital landscapes faced seismic shifts, many of which were beyond publishers’ control. New privacy regulations, continued identifier loss, and Google’s indecision on third-party cookies have left publishers grappling with uncertainty when it comes to how they translate their audience relationships into meaningful, monetizable ad experiences. That uncertainty will follow the industry into the new year and beyond.

Yet, amid this turbulence, publishers can still chart their own course toward sustainable revenue growth. The key lies in leveraging new tools and strategies to improve monetization while still staying true to editorial missions. Let’s explore four promising opportunities for publishers in 2025.

Tapping into AI for better ad experiences

The implications of generative AI extend well beyond content. New capabilities are also changing the way publishers approach ad experiences. With AI-driven tools, publishers can enable their advertisers to create tailored creative that aligns with individual audience preferences, increasing engagement and commanding higher premiums.

Dynamic ad creative has long been an underused tool. Now, with advancements in AI, publishers have a growing array of options for implementing real-time adjustments to ad content. With OpenAI revamping Sora and other text-to-video AI tools hitting the market, generative AI will increasingly extend into the realm of video ad customization based on the surrounding content or the visitor’s interests.

Native advertising is also poised to benefit significantly from AI. By generating and testing multiple headline variations, optimizing ad copy, and ensuring contextual relevance, AI empowers publishers to elevate native ad performance. These tools not only boost returns for advertisers but also streamline content creation processes, making premium advertising formats more accessible for advertisers and lucrative for publishers.

Using predictive modeling to unlock new revenue

For publishers, any unique signals they are able to draw from their first-party data and pass along to buyers are key to growing revenue. The importance of being able to package this first-party data and pass it into the bidstream to DSPs cannot be overstated.

When it comes to deriving value from first-party data, the increased sophistication of predictive modeling represents a game-changer for publishers seeking more-sustainable revenue growth. Using their valuable first-party data, publishers can create sophisticated models that anticipate user behavior and use the insights from those models to improve both content and ad delivery.

One of predictive modeling’s most compelling applications lies in audience extension. By analyzing their existing audience’s attributes and behaviors, publishers can identify similar audiences beyond their platforms. These audiences can be targeted off-site, with a portion of the resulting ad revenue feeding back to publishers.

Additionally, combining first-party data with contextual and engagement signals allows publishers to predict ad performance with greater precision. This approach enhances the value of inventory by ensuring ads resonate with the intended audience, thereby driving higher yields.

Finally, beyond immediate monetization, predictive modeling helps publishers expand their audience base. By leveraging data to attract and retain new users, publishers not only grow their first-party data assets but also position themselves for longer-term revenue gains.

Building profitable commerce media partnerships

The paths of digital publishing and commerce media are becoming more deeply intertwined as we move into 2025—and that’s a good thing for both sides. Strategic partnerships between publishers and commerce platforms can unlock new revenue streams across the board while enhancing the consumer experience. It’s one of those notorious but rare win-win-win scenarios.

Consider the partnership between Best Buy and CNET, through which curated CNET editorial content complements the Best Buy shopper journey. By integrating expert reviews and recommendations into its platform, Best Buy offers a richer user experience without having to develop content capabilities internally. Meanwhile, advertisers can share ad spaces across Best Buy and CNET, “allowing them to see the impact of their advertising campaigns through a full-funnel, closed-loop media solution.” For CNET, this means new valuable audience insights and ad revenue are being unlocked simultaneously. This isn’t terribly dissimilar from the benefits Yahoo sought to unlock with its partnership with Lowe’s back in 2022.

Publishers are uniquely positioned to provide the educational and inspirational content commerce platforms need to engage customers at the top and mid-funnel stages of their journeys. By joining forces, publishers and commerce platforms can deliver cohesive advertising solutions that cater to performance-driven and branding objectives alike, while also aligning with the needs of their respective audiences.

Unlocking the underleveraged mid-funnel

All three of the previously mentioned opportunities point toward a broader pivot that publishers should be making in 2025: deepening their focus on monetizing the mid-funnel, where consideration is born. The mid-funnel represents a crucial, often-overlooked stage of the customer journey that is a natural fit for publishers looking to derive the greatest possible value from their audiences and content.

By analyzing behavioral patterns and preferences, AI and predictive modeling can empower publishers to target audiences in the mid-funnel—those who are aware of brands but have yet to establish their consideration set—with greater precision. Likewise, commerce media partnerships further enhance mid-funnel monetization opportunities by spotlighting and placing value on publishers’ ability to create engaging, informative content that complements commerce platforms’ transactional focus.

Finally, as an important new piece of the puzzle, emerging mid-funnel measurement tools are not providing unprecedented visibility into mid-funnel performance. These solutions allow publishers to easily quantify the impact of content-driven campaigns on brand consideration, pre- and post-campaign, offering insights that can inform campaign enhancements around this important metric of success.

As publishers navigate the evolving digital landscape in 2025, they’re more in control of their own destinies than it might sometimes seem. By embracing generative AI, predictive modeling, commerce media partnerships, and a deepened focus on the mid-funnel, publishers can unlock sustainable new or improved revenue streams. These strategies not only enhance monetization but also preserve publishers’ ability to produce the vital content that informs and enriches society. In this regard, the above strategies aren’t just opportunities—they’re responsibilities.

Advertising | Featured Post | Revenue

Beyond subscriptions and advertising: 5 proven revenue tactics to try

December 12, 2024 Damian Radcliffe, Carolyn S. Chambers Professor in Journalism – University of Oregon

Media companies are increasingly exploring innovative revenue models as a strategic element of ongoing efforts to reduce their reliance on advertising and subscriptions. This is significant because, although the global advertising market continues to grow, the proportion of these revenues coming to publishers has long been in decline. Similarly, despite the fact that the media industry has seen numerous subscription success stories, research suggests that the opportunity may be leveling off.

Given these financial realities, revenue diversification is essential. Fortunately, there are many ideas out there to learn from. Here are five alternative – and well-established – revenue sources that are poised to become more prominent, and important, for publishers in the year ahead.

1. Artificial Intelligence (AI) licensing opportunities

As Generative AI continues to gain traction, many media companies are signing licensing agreements with the companies behind these technologies.

There are pros and cons to this, with several publishers currently litigating against their content being used by these platforms. However, for some media companies, AI licensing agreements offer an alluring mix of copyright protection and monetization opportunities.

Examples that we have seen in the past year include:

Hearst’s partnership with ChatGPT which promises “appropriate citations and direct links.”

UK-based publishers including the Financial Times, Guardian Media Group and Sky News, signing a strategic partnership ProRata.ai. DMG Media, home of The Daily Mail, has also taken an equity stake in the company.

Reuters, Axel Springer and the USA TODAY Network are featured content partners for a voice delivered summary of the news and weather that is built into Microsoft’s Co-Pilot product.

Reuters also agreed a multi-year deal with Meta, supplying content for queries asked about the news in Meta’s AI chatbot.

However, not all publishers are ceding the AI opportunity to tech companies, which could offer licensing revenue closer to home. One major publisher, Dow Jones, recently signed up nearly 4,000 news publishers for Factiva Smart Summary, a new Generative AI feature in its business intelligence platform. These licensing agreements span more than 160 countries and 29 different languages. Partners include The Associated Press, Swiss News Agency AWP Finanznachrichten AG, News Corp Australia, and The Washington Post.

As Generative AI continues to expand, expect more of these partnerships and products in 2025.

2. Live events and experiences

Pre-pandemic, live events offered a major source of revenue optimism for publishers. Post-COVID, this has morphed into a mix of in-person, online, and hybrid models. To draw sponsors and sell tickets, events work best when aligned with your brand and the content you are known for, an approach that a growing number of media outlets are leaning into.

Forbes has capitalized on its 30 Under 30 list by wrapping a live multi-day event around it. Their 2025 program includes a private concert, networking opportunities, industry-focused excursions, as well as sessions with speakers.

Condé Nast leveraged one of its best known brands to launch Vogue World in 2022, which are going strong. Hosted in global fashion capitals like New York and Paris, these annual one-day events are also live streamed. Hollywood is the location for their 2025 event. The company is also hosting an immersive exhibition in London, narrated by Cate Blanchett, which explores the history of the modern runway show.

The Innovation Consulting Group notes that some publishers derive up to 20% of their income from events. Events, they observe, can “help hike circulation, attract advertisers who might not advertise in the magazine’s media,” as well as “give magazines “face time” with their subscribers and potential subscribers.”

Given these strategic and financial benefits, we can expect more publishers to explore the burgeoning events market in the year ahead.

3. Podcasting revenue innovation

Podcasts have been a bright spot for many publishers for a while, with many doubling down on the medium despite wider financial challenges. For the biggest shows and brands this can be a particularly profitable space.

Continued optimism for this medium means that some publishers are looking to expand their podcasting portfolio and innovate on the ways they monetize.

The New York Times, which recently paywalled their podcasting archive, launched a podcast for Wirecutter, its product recommendation vertical. The move, eight years after they acquired Wirecutter, demonstrates how they are still seeking to expand and monetize this brand, and that the see audio as a key means to do achieve that goal. This follows The Economist’s premium podcast push, in which it leverages podcasts as a critical component of its successful subscription-based revenue model.

Meanwhile, the merging of events and podcasts is growing in prominence and revenue potential. Fans can connect with hosts and each other, deepening loyalty to brands and shows. All the while, podcasts offer media companies multiple monetization opportunities that go beyond advertising and subscriptions.

This summer, The Ringer hosted a residency for six of their podcasts at the El Rey Theatre in Los Angeles. “As an audience engagement tool it takes fandom to a different level,” says Geoff Chow, Head of Podcast Studios & Managing Director for The Ringer.

The Wall Street Journal’s recent dive into “The Rest Is History” podcast revealed that its hosts were netting nearly $100,000 a month, through a combination of their podcast, monetizing clips on YouTube and live events. “History professors struggle to get students excited about the past,” the Journal wrote. “Yet at a recent live show in London, Holland and Sandbrook drew a raucous Gen Z audience with a rock-concert vibe.”

Wondery is similarly looking to create live tours for some of the most popular podcasts. With more than 200 active shows, over a quarter of which hit No. 1 on Apple Podcasts, they have a potentially large paying audience to tap into. Participants in their membership plan, Wondery+, get early access to these live events, a membership benefit deployed by Slate and others.

As podcasts continue to evolve, these types of live events and tie-ins with wider memberships programs, will only become increasingly intertwined.

4. E-commerce and affiliate partnerships

With e-commerce now worth nearly $1.2 trillion in the USA alone this year, this is too big a market for media companies to ignore. In response, media entities are progressively integrating e-commerce into their platforms, selling merchandise and other products directly to consumers.

The Daily Wire generated over $22 million from commerce in 2023. nearly 10% of its revenues. Axios reports that much of this derived from its Jeremy’s Razors products, which produced $19 million in sales. Their merchandise store made up most of The Daily Wire’s remaining commerce income.

Recommendation sites are another area of e-commerce that media players continue to explore. The Associated Press partnered with Taboola in March to launch AP Buyline, offering how-to guides and reviews in areas such as fashion, beauty and wellness, tech, pets and Black Friday deals.

This launch came against a backdrop whereby some of AP’s core business is being squeezed. Local publishers Gannett and McClatchy ended their long-standing partnerships with AP, due to a desire to cut costs and invest elsewhere. As the AP themselves note, fees from U.S. newspapers were at one point responsible for “virtually all of its revenue.” However, diversification means “U.S. newspaper fees now constitute just over 10% of its annual income.”

Across the pond, The Independent, a UK newspaper, reported a 26% increase in revenue from e-commerce in the past year. Although review sections have potentially been impacted by recent changes to Google’s site reputation abuse policies, some publishers are growing their e-commerce revenues, despite inflationary pressures and a cost-of-living crisis.

Such initiatives highlight how publishers can leverage their editorial authority to benefit from reader’s purchasing decisions. Effectively creating affiliate partnerships can assist audiences and a publishers’ bottom line.

5. The games people play

The last piece of our revenue puzzle for 2025 sees publishers continuing to invest in games.

As twipe explains, games “engage readers differently than traditional news content.” “They provide a mental break, foster daily engagement, and satisfy psychological cravings… forming daily habits crucial for subscriber retention.”

Subsequently, games can be a valuable plank in helping to drive loyalty. Jonathan Knight, head of games at The New York Times, says that “when we see subscribers engage with both games and news in any given week, we’re seeing some of the best long-term subscriber retention from that pattern.” Subsequently, the Gray Lady has expanded their portfolio of games. They’ve also made games more prominent on their app, encouraging audiences to “come for the games, stay for the news.”

In that vein, French outlet Ouest-France publishes a game called “mystery photo of the day”. Readers must match the photo with the article in which it featured. “It’s a way to get them to discover our articles,” says Emmanuel Chevalier, head of Ouest-France’s digital acquisition department. Meanwhile, Hearst’s acquisition last year of Puzzmo is another example of a publisher flexing their financial muscles to expand their games offering.

Games can offer an escape from an often bleak news agenda, providing a means for audiences to come back every day, and thereby create a deeper connection between readers and publishers. Because of this, games are poised to play an even more critical role in engagement in revenue strategies in 2025 and beyond.

Looking ahead at the importance of revenue diversification

From AI licensing to live events, e-commerce, podcasts, and games, publishers are actively diversifying their income strategies in response to shifts in markets and consumer needs. While advertising and subscriptions remain critical components of the media revenue landscape, media companies continue to experiment and innovate to leverage their brand strengths to create other revenue streams.

Through these efforts, publishers are finding new ways to connect with audiences and drive revenues. In doing this, they are also trying to lay long-term foundations, with several of these strands focused on fostering loyalty, deepening engagement, and connecting with audiences in innovative ways.

As we head into 2025, the challenge will be scaling these initiatives in an increasingly competitive landscape. When many publisher peers are doing similar things, distinctiveness, brand value and relationships, as well as pricing points, will be paramount.

At the same time, given the need to reduce reliance on traditional revenue models, diversification remains more important than ever. Doing this successfully requires flexibility, creativity, and a willingness to experiment.

If this is executed well, like some of the examples that we have seen here, then innovative strategies to create income offer more than just means for survival. After all, revenue diversification offers perhaps the only pathway to long-term growth and resilience in an ever-evolving media ecosystem. As such, the need to explore some of the types of ideas outlined in this article, and to actively move away from a reliance on advertising and subscriptions, is non-negotiable.

Advertising | Revenue | Supporter Spotlight

2024 in review: Trends in digital media monetization

December 11, 2024 Simon Klein, Global SVP Supply – Teads

As 2024 comes to a close, it’s clear that this year has been defined by transformative shifts in how publishers and broadcasters approach digital media monetization. From advancing privacy-first strategies to adapting to the dominance of Connected TV (CTV), the industry has shown resilience and innovation.

Looking back, these pivotal moments offer valuable lessons, while also pointing toward the priorities for 2025:

1. Brand safety took center stage

In 2024, publishers prioritized brand safety, recognizing its essential role in maintaining trust with advertisers and audiences. Advanced contextual targeting tools, coupled with stringent editorial standards, helped build confidence in ad placements. As content environments become more complex, this focus on safety and transparency will deepen in 2025, with publishers investing in more precise, AI-powered brand safety solutions to enhance advertiser confidence.

2. Sustainability became non-negotiable

This year saw sustainability move from a “nice-to-have” to a “must-have.” Publishers adopted greener technologies and committed to measurable ESG (Environmental, Social, and Governance) goals. Advertisers partnered with eco-conscious media outlets, aligning campaigns with consumer demand for responsible practices. In 2025, sustainability metrics like carbon impact will become more sophisticated, and partnerships around ethical advertising will deepen.

3. Subscription models found their groove

2024 solidified the role of subscription models as a key revenue driver. Publishers balanced subscription growth with ad-supported strategies, creating hybrid models that appealed to a broader audience base. Enhanced user experiences, including personalized content and seamless interfaces, became the standard. Heading into 2025, these strategies will be refined to further integrate advertising and subscription revenue streams without sacrificing user satisfaction.

4. The Cookieless landscape remained in transition

Despite Google cancelling the phaseout of third-party cookies, publishers prepared diligently for a cookieless future, which–regardless of the future of cookies–was not a bad thing. First-party data ecosystems matured in 2024, with publishers focusing on fostering direct relationships with audiences to enhance consented data collection. Contextual targeting gained momentum as a privacy-compliant alternative to behavioral targeting. In 2025, publishers will double down on these efforts, enhancing collaboration within industry consortiums to scale identity solutions and ensure consistent audience addressability.

5. Algorithms challenged publishers yet again

Platform algorithm changes disrupted referral traffic and revenue streams throughout 2024, prompting publishers to seek greater independence from big tech. Many pivoted to direct traffic strategies, premium content offerings, and diversified revenue streams. Looking ahead, 2025 will likely see media companies make an increased push toward leveraging first-party data for direct monetization and strengthening collaborations with advertisers on transparent revenue-sharing models.

6. CTV dominated the monetization landscape

Connected TV (CTV) solidified its role as a top revenue driver for broadcasters and publishers in 2024. With programmatic capabilities maturing and advertisers shifting budgets to CTV, the sell side capitalized on high-impact formats and premium inventory. Heading into 2025, cross-platform measurement tools will gain prominence, addressing fragmentation and unifying reporting across linear, CTV, and digital platforms to maximize revenue opportunities.

7. Interactive and video content drove engagement

Interactive and video content stood out as key formats in 2024, delivering higher engagement and monetization opportunities for publishers. Shoppable video, gamified experiences, and dynamic storytelling resonated strongly with audiences and aligned with advertisers’ goals. In 2025, publishers will explore more immersive formats like augmented reality (AR) and metaverse integrations to maintain their competitive edge and deliver differentiated ad experiences.

8. Privacy-first innovations gained momentum

Stricter global privacy regulations spurred publishers to adopt privacy-by-design strategies in 2024. Building robust consent management frameworks and exploring privacy-preserving technologies, such as federated learning and differential privacy, allowed publishers to continue providing actionable insights while protecting user data. In 2025, these innovations will become integral to the sell-side toolkit, as publishers work to balance data privacy with advertiser demands for precision targeting and measurement.

9. Commitment to supply path optimization (SPO) grew

Publishers focused on providing greater transparency into their inventory through tools like ads.txt and sellers.json, bolstering trust with advertisers. Supply path optimization (SPO) became a cornerstone strategy for reducing inefficiencies and maximizing revenue. In 2025, publishers will continue to refine their SPO strategies, emphasizing collaboration with trusted partners and leveraging advanced fraud detection tools to ensure quality ad experiences.

10. Enlisting support for quality journalism became critical

In 2024, publishers emphasized the critical value of quality journalism, recognizing its role in fostering trust, user loyalty, and timely access to reliable news. With global elections drawing attention, traditional news sites stood out for delivering brand-safe environments, engaged audiences, and measurable performance.

Teads’ “Value of Traditional News” study highlighted a strong correlation between ad attention and upper-funnel brand outcomes, revealing a 77% lift in brand outcomes when ads appeared alongside trusted news content. As we move into 2025, supporting journalism must remain a cornerstone for advertisers and publishers, driving long-term value and reinforcing the vital role of trusted information in democracies worldwide.

Looking forward to 2025

As we turn toward 2025, the themes of trust, sustainability, and innovation will remain paramount. Publishers and advertisers who focus on privacy-first strategies, advanced contextual advertising, and cross-platform collaboration will be well-positioned to navigate the challenges and opportunities ahead.

Expect to see further advancements in AI-driven creative optimization, more sophisticated approaches to audience addressability, and a continued push for transparency across the entire digital advertising ecosystem. By building on the lessons of 2024, industry leaders can drive meaningful connections with audiences while maximizing monetization opportunities.

Diversity, Equity & Inclusion | Featured Post | Innovation | Perspectives | Revenue

Redefining media revenue: the search for new ‘DVD sales’

October 31, 2024 Richard E. Brown, Media Revenue Consultant

One of my new favorite YouTube channels is First We Feast, specifically the show Hot Ones, where celebrities answer great interview questions as they eat progressively hotter wings. While it’s always entertaining, a recent interview with Academy Award winner Matt Damon really stuck with me because of the way it parallels what is happening with news media today.

He was asked about the macroeconomics of Hollywood, particularly how streaming has affected the subjective quality of content compared to decades ago. Damon explained how DVDs once generated huge revenue, allowing studios to take more creative risks because they could rely on profits from DVD sales after a film’s theatrical release. He shared an example from a studio executive who explained that making a movie would, in theory, cost $25 million, with another $25 million for print and advertising. Gross box office receipts are then split with theater owners, who typically keep about half. This structure means the film would need to earn around $100 million just to break even or beginning to even discuss profit.

Safe bets versus experimentation and adaptability

This hit me close to home, even though I’m in a different industry. It made me think about how the news media industry has also undergone drastic changes due to technology, shifts in audience consumption habits, and declines in traditional revenue streams like print subscriptions and classified ads. Both industries now take fewer risks in unpredictable environments, arguably leading to a drop in content quality and diversity. While exceptional work is still produced, the shift toward safer, commercially viable content is evident. Yet the evolving landscape hints at a future that demands a more integrated and adaptive approach.

Hollywood content creation, as Damon suggests, centers on box office hits that drive significant revenue in their theatrical run. In news media, revenue reliance is on digital ads, subscriptions, and paywalls.

Damon’s discussion of the economics of film made me wonder: What’s the new “DVD-sales” for the news media industry? What will create sustainable revenue beyond conventional methods? As technology advances, I believe the solution is in building new models that effectively leverage current tech and audience trends to offer long-term financial stability.

While traditional news content remains important, it’s clear that audience expectations constantly evolve. Technology unlocks new possibilities which organizations must experiment with to master. At the same time, communities and influencers are reshaping how audiences connect with news. To stay relevant, news media has to adapt to these changing consumption patterns and provide deeper engagement. It’s time for journalism to meet these evolving demands, focusing on the key areas that will define the future of news and become the industry’s new “DVD-sales.”

Diverse and individualized identity in media

As audience preferences evolve, identity and self-representation are becoming central to media consumption. People no longer want just content—they want content that reflects their values and creates a sense of belonging. Subscriptions, affiliations, and donations have become extensions of personal identity, allowing individuals to support causes, movements, or news platforms that align with who they are or aspire to be. This shift is empowering. It fosters deeper connections between the audience and the media. However, it requires representation and relatability.

Audiences increasingly seek a voice in the content they engage with. Community-led journalism and immersive experiences meet this demand by offering behind-the-scenes access, deeper insights into investigative reporting, and platforms for expressing concerns and successes within communities. These media-driven town halls—both in-person and virtual—create spaces where passion and substance shape the conversation. Historically, community-led journalism has also empowered underserved groups. It gives them ownership of their stories, fosters empathy, and reinforces a sense of identity as individuals see themselves reflected in the content.

Mission-driven partnerships

As audiences seek media that reflects their authentic selves, corporations and philanthropic organizations are aligning with news outlets that share their values to forge impact-driven partnerships that open new revenue opportunities for news media. These partnerships—particularly with philanthropic foundations, renewable energy companies, and organizations focused on health and sustainability—fund journalism with shared societal goals. Rooted in corporate social responsibility, they empower journalism to deliver objective reporting while driving meaningful social change.

By supporting investigative journalism, documentaries, and projects that resonate with consumers’ values, these partnerships enhance engagement and create a sustainable, mission-driven funding model. And companies that invest in media that align with their core values forge deeper connections with consumers who see these efforts as an extension of their own identities. This trend could shift news revenue models from short-term advertising to long-term, scalable partnerships, offering a significant and exciting opportunity for the future of news media.

Transformative role of technology

While sticking with the tried-and-true tactics may seem like the safe bet, the industry will need to reinvigorate its spirit of innovation and risk to best connect with ever-evolving audience expectations. Technology has empowered today’s audiences to be more authentic by providing quicker access to information and more immediate ways to explore their interests. Information access helps people understand themselves and the world around them with greater speed and depth.

Newsrooms can harness this shift by embracing immersive reporting through interactive experiences like AR and VR, which allows individuals to step into different perspectives, fostering empathy and engagement. These immersive technologies, from placing reporters on the front lines to using interactive learning platforms, enable audiences to connect more deeply with content, helping them refine their views and consider how they want to contribute or enact change.

The real breakthrough, however, is in AI’s role in driving personalized engagement. AI allows news organizations to deliver hyper-personalized content based on individual habits and preferences, a process once manual and time-consuming. With AI-enhanced data insights, organizations can understand their audiences at a granular level, offering timely, relevant, and highly customized content. This deeper connection with consumers anticipates their needs and creates impactful experiences, potentially transforming how news is consumed and delivered.

The road ahead for media revenue

So where is this all leading, and how does this become the new “DVD-sales” for news media? The answer lies in a transformative, identity-driven, community and tech-powered ecosystem where audiences help shape the content. This approach will foster loyalty and create scalable, sustainable revenue beyond traditional ads and subscriptions. By leveraging the combined power of community and technology, news organizations can form partnerships with purpose-aligned entities, redefining how journalism is funded and experienced.

I envision a digital platform where users actively participate, voting on story ideas or contributing content in an environment that tackles local and global issues. With AI and data-driven personalization, users can receive tailored content and news organizations can create high-demand immersive experiences like virtual town halls.

If you’re wondering how these ideas translate into reality, take a look at City Bureau in Chicago, which is already putting some of them to work. This journalism lab is reimagining local media by equipping communities to address information inequity. Their Documenters program trains and pays residents to cover local government meetings, boosting transparency and citizen involvement.

This concept upholds journalistic integrity, ensures accuracy and drives meaningful community involvement. It integrates the community into the editorial process without compromising professional standards. The approach builds authentic connections and strengthens trust, which is crucial for attracting corporate sponsorships and philanthropic partnerships. No, it does not come in a handy book-sized package like the DVD. However, this is a model that puts the audience at the center to build a sustainable model through experimentation in how the news is made, delivered, and funded.

Featured Post | Innovation | Revenue | Video

How Crooked Media leverages video for podcast audiences

September 26, 2024 T. J. Raphael – Independent Media Reporter

It’s been nearly 20 years since Apple took podcasts mainstream, but the tech giant seems to be losing its grip on audio audiences: A recent study out this summer found that YouTube is now the most used podcast platform in the U.S.

That’s left some publishers and podcast production houses scrambling to figure out a video strategy to complement their audio-only offerings. But there’s at least one player in the game that seems well prepared for the platform shift: Crooked Media.

The company, which is focused on news, politics, and liberal-leaning commentary and analysis, currently boasts more than 40 podcasts in its portfolio. And video is a big part of Crooked Media’s strategy — but they’re not just playing on YouTube. The company is also pushing video content on TikTok, Instagram, and X (formerly known as Twitter). And even better? Crooked Media is generating revenue along the way.

The YouTube video-podcasting strategy

“We started putting streams of Pod Save America on YouTube in early 2018,” says Matt DeGroot, the company’s vice president of production.

These days, every audio-only episode of an ongoing and regularly published Crooked podcast also has a video component, which is uploaded to YouTube. For Crooked, the foray into video has been part of a deliberate plan to grow its audience.

“Really the biggest impetus there and why we’ve pushed so hard is that people who consume podcasts on a traditional platform like Spotify or Apple Podcasts, tend to go to those platforms knowing exactly what they’re looking for. So, there isn’t a ton of discoverability,” DeGroot says.

“Everyone uses YouTube, and YouTube — for better or for worse — knows what people want to see. YouTube will find our shows and basically serve it up to people,” he says. “And people on YouTube might be a little more curious and willing to take a chance on new content.”

Over time, Crooked has built a significant audience that is unique to the platform. It has 10 channels and playlists that are updated regularly, and the company currently claims more than 1.2 million YouTube subscribers.

When a big news event happens, Crooked can leverage its political commentary and analysis from a show like Pod Save America and tap into an audience who may already be searching YouTube for information. “If there’s a big story happening and Pod Save America is doing an episode, reacting to it or explaining the context, that’s a great opportunity for someone new to sort of stumble upon it,” DeGroot says.

For example, earlier this month, the company posted a segment from Pod Save America that featured the hosts of the show discussing Vice President Kamala Harris’ debate performance, and global superstar Taylor Swift’s endorsement of the Democratic candidate.

Those events were dominating broadcast news, digital media outlets, and social platforms. And Crooked was there, ready and waiting for curious YouTubers to find them. Their video on the subject got nearly 730,000 streams as of this writing, and is one of the top 15 most popular videos on their channel.

“We’ve really been able to harness that power and seize those moments in a way that is hard to do on a podcast platform, where, like I said, people really know what they’re looking for when they open the app,” DeGroot says. “YouTube just gives us more opportunity to find new people.”

Beyond giving people a new entry point to their content, video gives audiences a new format to access the Crooked universe. “More and more with the advent of smart TVs, we’ve been seeing a lot of people who are really consuming the YouTube product from their televisions and treating it like watching the evening news,” DeGroot says.

This is especially true for older audiences.

“My mom, bless her heart, she does not know how to use a podcast,” DeGroot says. “She doesn’t know how to find a show there. But she knows YouTube and she knows how to type in Pod Save America and get to the channel and pull up the latest episode.”

However, while video has helped build Crooked Media’s audience, the experience remains audio-centric. “We get anecdotal comments of people saying, ‘Oh, I put this on while I’m making dinner.’ They may not be watching it a hundred percent with their eyes on the screen the whole time, so it’s still somewhat of an audio experience, because they’ll have it on in the background while they’re cooking.”

Cashing in on YouTube

Because the company publishes Crooked Media’s podcast content as YouTube videos, its ad sales team has more touch points to offer potential sponsors.

“YouTube runs ads and we have that aspect of monetization. But then our sales team also does sell against that for the podcasts,” DeGroot says. “So an episode of Pod Save America, for example, the ads that appear in the podcast when you listen are also in the YouTube version.” In this way, a client gets a two-for-one. It can buy ads from one media company and get two distinct audiences.

In addition to selling to two audiences, Crooked is also leveraging video content to create exclusive offerings for advertisers. “That’s something we’ve started doing this year — having a single sponsor,” DeGroot says. “Someone like ZBiotics sponsors Hysteria’s ‘This F*cking Guy’ series. So we’ll include a 30 second ad read in the middle of the video, and maybe a short mention of the sponsor at the beginning. It’s a great way to add that additional revenue and help pay for the production costs that do naturally come with video, because it is a time consuming and work intensive thing.”

However, Crooked is looking beyond advertisers when it comes to monetizing video. The company has a paid subscription offering — called “Friends of the Pod” — which provides subscribers with ad-free podcast feeds, bonus content from Crooked hosts, and the ability to talk directly with on-air talent on Crooked’s subscriber-only Discord server.

“Friends of the Pod” also get subscriber-only YouTube shows. “One is a weekly, called, Terminally Online, and then we have a couple biweekly shows — Dan Pfeiffer’s Poller Coaster, and another election special called Inside 2024,” DeGroot says. “Those are available as both audio and video components to subscribers.”

While Crooked Media is going big on YouTube, it’s not the only social video platform the company is publishing on. “There are real opportunities in that sort of shorter form content,” DeGroot says. “We are not oblivious to the fact that a lot of people, if they see a video on YouTube even if it looks really appealing to them, if it’s 90 minutes long, they’ll say, ‘I don’t have time for that. I’m not gonna take a chance on this random video.’”

To counter this, Crooked Media will splice one of its full length episodes into shorter clips — something that’s 60 or 90 seconds long — and upload that content to TikTok, Instagram, or X. “People are willing to give that a chance,” DeGroot says. “They’ll see a video short clip and be like, ‘Oh, what are these people saying?’ And from there it draws them in and makes them curious to hear more,” which could lead them to YouTube or a podcast platform.

Pod Save America has about 14,000 followers on TikTok, but their short videos reach way more people than that. A recent post discussing a press conference that former President Donald Trump had garnered more than 100,000 views.

Crooked’s podcast host will also create what DeGroot calls “ancillary” content — behind the scenes moments that still speak to the brand’s broader tone. That might include the hosts’ live reaction to Donald Trump’s guilty verdict in his recent criminal trial, or an on the ground video message from the Democratic National Convention.

“For those videos that live on TikTok, Instagram, Twitter, YouTube shorts, it’s a feature that we’ve been really pushing lately and finding a lot of success with,” DeGroot says. “We’ve found that doing those types of things really helps the content spread on those platforms and bring in new people who then get excited to watch the podcasts.”

For DeGroot, the video strategy across platforms is all about creating more touch points — for audiences and advertisers.

“It’s gonna take some time to build that audience, and you really have to nurture it over time,” he says. “As long as you keep on your patterns, stay with it, and stay consistent, you will get the rewards from that.”

Advertising | Featured Post | Policy | Revenue

How Meta’s news ban reshaped Canadian media

September 12, 2024 Jessica Patterson – Independent Media Reporter

It’s been a rough year for publishers and broadcasters in Canada. In the wake of Meta’s news ban, Canadian news publishers and broadcasters have faced declines in online traffic, engagement, and revenue. As the publishers we spoke to illustrate, the ban, implemented last August in response to Canada’s Online News Act, has dramatically altered the media landscape – and not for the better.

A recent study by the Media Ecosystem Observatory underscores the profound effects of these changes on Canadian media. The report, which examined the effect of Meta’s ban on Canadian news, revealed that news outlets lost 85% of their engagement on Facebook and Instagram, leading to a total engagement decline of 43%.

“Canadian news organizations lost an enormous amount of their online viewership,” explained Aengus Bridgman, director of the Media Ecosystem Observatory and co-author of the study. “They’ve been heavily relying on the distribution channels of Google and part Meta to get their work out there.” The study found that Canadians consumed less news as a result of the ban, and that Canadian news outlets saw a reduction of 11 million views a day.

The report, titled Old News, New Reality: A Year of Meta’s News Ban in Canada, found that approximately 30% of local news outlets in Canada are now inactive on social platforms. “Their digital presence has basically collapsed and they’re no longer connecting to the social web,” he said.

Navigating a power struggle

Meta’s news ban in Canada underscores the current struggle and challenges news media face amid the power of the platforms. Facebook began blocking Canadian news on its platform and on Instagram, in response to Canada’s Online News Act, which passed in June 2023. The legislation requires big tech companies like Meta and Google to pay media outlets for the news content they share on their platforms.

Rather than pay, Meta simply blocked Canadian news sharing on its platforms altogether. Within weeks, News Media Canada, the Canadian Association of Broadcasters and public broadcaster CBC/Radio-Canada filed an antitrust complaint against Meta accusing it of abusing its position.

However Meta claims that complying with the legislation would require them to pay for links to news content. Thus, they said they didn’t want to operate in what they considered an unfair regulatory environment.

“(The) legislation misrepresents the value news outlets receive when choosing to use our platforms. The legislation is based on the incorrect premise that Meta benefits unfairly from news content shared on our platforms, when the reverse is true,” the company said in a statement. “News outlets voluntarily share content on Facebook and Instagram to expand their audiences and help their bottom line. In contrast, we know the people using our platforms don’t come to us for news.”

Meta argued that their platform provided significant value to Canadian news publishers by driving over 1.9 billion clicks to their content in the year leading up to April 2022. The company valued that at $230 million in “free marketing.”

Meta’s decision in Canada recalls a similar situation in Australia in 2021, where it briefly banned news on its Australian platforms in response to the threat of regulation under that country’s News Media Bargaining Code. More recently, Meta stated that it will not renew any existing deals with Australian news outlets, nor those in France and Germany. In other words, it looks like Meta is taking a global stand against supporting news on its platform.

Impact of platform news bans on publishers

In Canada, the impact of the news ban was immediate. Traffic from Facebook plummeted, leading to a sharp decline in audience reach and digital ad revenue. Many Canadian publishers, especially smaller and independent outlets, faced increased financial strain as they lost traffic.

Chuck Lapointe, CEO of Narcity Media Group, saw years of investment disappear because of the ban. Since 2013, his online outlets have thrived as “social-first” platforms, relying heavily on Facebook and Instagram for distribution. Meta’s abrupt ban severed Narcity and MTL Blog’s connection to Canadian audiences, cutting off revenue streams tied to branded content deals and partnerships.”Right away, all of them were blocked and Canadians were not able to see our content. That was an immediate hit to revenue,” Lapointe said.

Facebook pages for Narcity and MTL Blog, which had well over 3 million followers, went dark. Lapointe watched as his audience dropped as a result. “We lost 50% of our traffic overnight, which impacted perception and trust.” He also found that “some writers and journalists said that they didn’t want to work with us because they can’t share their work openly.”

Great West Media, which produces 20 print publications across Alberta, also saw traffic and revenue decline. “If we look at traffic as the prime factor in driving revenue, then yes, the Meta news ban had a serious impact,” said Brian Bachynski, president of Great West Media.

Despite the Meta news ban, Great West has still managed to grow its audience online. The company is using a variety of methods, including a strategy for breaking news, newsletters, SEO and more. However, Bachynski said “I’m certain if Meta hadn’t banned news in Canada, our numbers would be greater.”

He has concluded that it is in no business’ best interest to rely heavily on a third party as the primary driver of revenue. “Because ad volume is predicated upon page views, the Meta ban has depressed traffic to our websites and therefore our ability to drive revenues. These revenues, however, are not enough to operate a plausible business,” he said. “Even without Meta’s ban, our audience isn’t large enough to exist on the extremely low ad rates carved out by the monopolistic practices of Meta, Amazon and Google.”

The decline in traffic appears to have been part of a longer-term trend in Canada, according to David Beers, editor in chief of The Tyee, a B.C.-based independent, online news magazine. Even before the official block, he watched The Tyee’s Facebook engagement dropping over the previous year—evidence that Facebook was already adjusting its algorithms to deprioritize news.

“We saw it. It was unmistakable. We compared notes with other publications. They saw the same,” Beers said. “It really throws a lot of doubt on Facebook’s claim that if it weren’t for the Online News Act, they would be supportive and sharing a lot of news on their site.”

Beers said that Facebook may be using Canada as an example to deter similar regulations in larger jurisdictions like California and the European Union. However, he said, “no one pays attention to Canada, so there’s no price to be paid by depriving us of the sharing of news.”

Meta decides what’s news

The ban rollout was also messy because it affected media outlets that don’t produce news. Among them was the satire and parody publication, The Beaverton, and campus radio stations, from CIUT 89.5 at the University of Toronto to CJSW 90.9 at the University of Calgary.

CJSW Station Manager Adam Kamis believes campus radio stations were included in the list of news agencies simply because they are community media, rather than being assessed individually. “We lost our Instagram and Facebook about this time last year,” he explained.

CJSW, which has been broadcasting since 1957, has 110 music, spoken word and multicultural programs in more than 10 languages. They have volunteer hosts talk about stories that matter to them, Kamis explained. “And, we don’t even really do news reporting that much.”

“Now we’re getting no money and we have no use and access to these services. And though our presence is rooted in the auditory experience, we live in a world where the visual needs to be part of the presence as well. Without that, it’s like we have the worst of all possible worlds befalling us where we have no presence and no money.”

As a campus community radio station, CJSW relies on community and listener engagement. They leverage their following for ads and sponsorship. The ban impacted the station’s ability to sponsor local music festivals and its annual funding drive, which generates essential revenue to support station operations, programming, and services.

It’s usually an amazing opportunity to share on social media, but not with a ban in place, Kamis said. “Last year was our first year without it,” Kamis said. “We were able to leverage our connections with our friends of the community to help… but that’s a thing I don’t want to rely on year after year.”

Meta’s interpretation of what qualifies as news posed a particularly ironic challenge for digital outlet Narcity–one that demonstrates the subjectivity of the company’s decisions around what to block. “The government doesn’t hold an official list of news organizations that Meta would have to comply with,” said Lapointe. “So Meta… relies on their interpretation of which companies would be captured. And right now, you are automatically part of the law if you are a QCJO company.”

For years, Narcity tried to receive a Qualified Canadian Journalism Organization (QCJO) designation, which must be determined by the Canada Revenue Agency (CRA) to qualify for journalism labor tax credits. Narcity was denied the qualification in 2021. It resubmitted in 2022, and was denied again.

“Essentially [the government] doesn’t believe that we do enough original news content to get the validation or to get the designation for our news organization, which would allow us to get the subsidies. It would allow us to get the QCJO, which would’ve included us automatically in the Online News Act,” Lapointe said.

After the denial of the QCJO, Lapointe used the rejection letter–which says that the government does not recognize it as a news organization that is engaged in the production of original news–to Meta for reconsideration. “The government does not believe that Narcity is a news organization, so why would Meta?” Two days later it regained control of its Facebook and Instagram pages.

Workarounds, circumventions, and modified hyperlinks

The ban made it difficult for news outlets and emergency officials to get information out to the public during public safety emergencies. Over the last year, officials noted that misinformation about the fires was rife on social media, encouraging the public to tune in to radio or to live blogs for accurate updates on the dozens of wildfires burning across Western Canada. As a wildfire closed in around the city of Yellowknife, Ollie Williams, the editor of Yellowknife-based news station Cabin Radio, got around the Meta ban by posting a live blog.

So, with news no longer accessible on Meta platforms, Canadians have turned to creative ways to share information that is important to them. The Media Ecosystem Observatory study revealed prior to the ban, there were about 19 posts per week with Canadian news screenshots. After the ban, this number surged to an average of 68 posts per week.

Canadians continued to share and circulate news through direct links to an X (formerly Twitter) post, which then links to the news website. They also copy and paste text.

Another way Canadians shared news on Meta platforms was by making a video with a news story in the background, talking about or responding to the events, Bridgman said. “That person, that influencer is producing engagement on the website using news content, and so they are distributing the news content.”

CJSW’s Kamis saw CJSW spelled out phonetically as a workaround. “It’s so funny. We can be on Threads because nobody’s on Threads, but this is how cynical the business model is. We’re allowed to be on Threads because no one’s on Threads.”

The future of media and news consumers at risk

Long-term ramifications for publishers are emerging, including obstacles for new launches, future growth and reaching some communities with news. According to Beers, Facebook is often the only major means of distributing information in rural, non-metropolitan areas in Canada. Many First Nations live in rural areas and Facebook acts as their source of news.

“In rural places, they’re cut off. And because Facebook purchased social license to be the place where you shared information, other alternative forms of news did not grow there,” he said. “Why would I start up a small little website in Fort Nelson or something when everyone’s on Facebook sharing news?… These places are deprived. It’ll take years, if ever, for them to come up with an alternative.”

The Observatory’s report also highlights what Bridgman called “a collective shrug,” among Canadians. Instead of actively seeking out news from reliable sources, there is a growing expectation that information will find its way to people through their existing social networks and everyday media consumption.

The behavior highlights a “news will find me” attitude. However, he said that Canadians aren’t getting their news on Facebook and Instagram any longer, so the thought is that they must be getting it somewhere else. Unfortunately, “we have very little evidence to suggest Canadians are doing that at all,” Bridgman said. “Gone are the days when you would seek out information actively, you would be an active participant in that process.”

Meta’s news ban in Canada has had a profound impact on the media landscape, though only 22% of Canadians are aware that the ban exists, according to the MEO study. It resulted in a dramatic and immediate impact on traffic, a decline in revenue, views and engagement and diminished trust, underscoring the need for new strategies to engage audiences outside of social platforms.

“I don’t think anyone looks at this and thinks this is good. It has hurt Canadian viewership of news. It has hurt Canadian news organizations. It has hurt journalism in that sense. It has hurt the ability to hold truth to power. None of that is good,” Bridgman said.

The situation Canadian news publishers find themselves in emphasizes the need for innovative business models that do not rely heavily on social media platforms for distribution and revenue.

If journalism is crucial for a healthy democracy, then we need to find ways to support its news-gathering efforts, at arms length from government, Bachynski said. Bachynski suggested implementing a taxation policy whereby digital ads and services are purchased, and a ‘journalism’ tax is applied to it, which could significantly bolster news gathering and reporting. Lapointe also mentioned the possibility of subsidizing innovations around business models.

However, as he and others have noted, the need for smart regulatory interventions becomes urgent when news organizations’ survival is tied to the whims of tech giants.

“Having this third party mediator between the content is highly risky and many have been saying that for years. And here is the proof in the pudding: relying on an external company to manage that relationship puts you at extreme vulnerability. If they decide to pull the rug out, that’s what happens,” Bridgman continued.

The Economist on the value of consumer research

August 1, 2024 Esther Kezia Thorpe – Independent Media Reporter

The Economist is an industry leader when it comes to subscriptions innovation: Last year, they paved the way in audio by paywalling all but one of their podcast portfolio. The Economist’s multi award-winning Espresso app has been used as a blueprint for other publishers looking to offer a sample of content behind a cheaper paywall. Earlier this year they also launched the largest brand campaign since the early 2000s in a bid to attract younger readers.

What binds these initiatives together is a strong consumer research team. In addition to brand building and surveying about new initiatives or products, this team is also involved in almost all aspects of the organization, from retention efforts to optimizing its growing B2B business.

The Economist’s Global Head of Consumer Research Seema Hope believes that this is a function more publishers should be seriously considering to optimize subscription efforts. There is real value to be gained in getting to know audiences on a deeper level, even for those without paywalled products.

Getting to know consumer research

Hope’s Consumer Research team is one of the few which has ongoing communication with readers. “We get a lot of dialogue through editorial; people write in,” she noted. “But that two-way conversation is where we come in, and we take that really seriously. We’re there to represent what consumers are saying, and it’s our job to be frontline and independent on that.”

The team is made up of a mixture of disciplines, from UX and design to data and research. Hope firmly believes that it is more important than ever to bring these together rather than operate in silos. “You want to make sure that you’re understanding everything about the consumer, not just the way they’re interacting with a product. You want to understand their needs and motivations,” she explained.

This does add a layer of pressure on research teams to specialize in multiple methodologies. But Hope has seen this be advantageous for careers. Her team has people who are strong in UX, qualitative research and talking to people, as well as experts in qualitative and statistical methodologies. As consumer researchers, being able to operate across all of these means that they can work more effectively with teams across the business, from product to consumer marketing. “We touch nearly every aspect of the organization. And that can only get wider,” Hope said.

An internal and external independent voice

One reason the consumer research team at The Economist is so effective is because they believe in taking stakeholders on the research journey with them. “We won’t just deliver a project and say: ‘Here you go,’” Hope said, explaining how they anticipate any resistance to findings. “We start in partnership with them, working out what the objective is, what the business challenges are. Then our job is finding the right methodology to get them to a deeper understanding.”

Most of the projects the team are involved with are “quite iterative, with constant dialogue,” so findings aren’t a surprise. Hope also outlined that her researchers are often embedded in other teams while a project is ongoing so that everything is transparent. For example, if a consumer has made a statement about user experience in a video, that video is shared with the relevant people in The Economist’s Slack channels.

This perception extends to their interactions with participants, too. “It’s really important that we’re independent when we’re talking to consumers, and we make it really clear that you’re not going to hurt anyone’s feelings [with honest feedback],” Hope said. Constant and open dialogue with customers helps, as does keeping each other’s biases in check internally, with the team ensuring they’re not asking leading questions or putting a spin on data interpretation.

Currently working on growth and retention – once customers are acquired, how do we best keep them, as well as brand perception. Also students and what loyalty means for a news org.

Uncharted territory with Podcasts+

One prominent example of the Consumer Research team’s influence was in in shaping The Economist’s Podcasts+ program. Last October, the publisher moved all but its daily The Intelligence podcast behind a paywall, offering a separate podcast subscription product.

Planning for this was a challenge as virtually no other publishers had made such a move (and still haven’t!). Many consumers will have never come across a paid-for podcast until they hit The Economist’s paywall.

The decision to charge for podcasts was one the whole company stood by. It seemed incongruous to have such a significant product available for free when nothing else was? But they had concerns about how audiences would respond. Hope’s team started with needs, behaviors and motivations. This shaped their messaging and approach.

“It was interesting the way the project evolved. Our consumers were telling us, ‘I can see why you’re doing this. You value your journalism. It’s really in-depth. It’s well-researched. It’s amazing to hear the voice of the journalists in my ear. I feel a real personal connection to this person,’” she explained. “So in the end, our consumers told us the kind of language that we should use when talking to them.”

It took months of conversations and rigorous testing before they arrived at a model that made sense for the publication, as well as one consumers would take up. The Intelligence daily podcast would remain free as a daily touchpoint. However, all other weekly and daily shows would be available for $4.90/month, or as part of the full Economist subscription package.

Hope says that there has been uptake not just of the podcast-only package, but also to the full subscription. One finding that her team were able to pick up was the perception of increased value now that the podcasts were paywalled. “Once you start charging for something, people put more of a value on it. So it’s changed that perception of quality content because they’re now paying for it, and increasing their listening,” she noted.

Now, their focus is on understanding how to move people along the funnel from free to podcast to full subscriber. Hope’s work is never done; consumer research is an ongoing dialogue as tools, technology and behaviors evolve. “I think it’s naive to think you get it right the first time. It’s naive to think that you stop learning. So we rarely say, ‘That’s the end of a project’,” she said.

Lessons from The Economist’s consumer research

Hope has had over 16 years working in audience research, and firmly believes it’s a role all publishers should have to inform decisions across the business. It’s a role that changes and evolves. “But at the very crux of it, we are, as publishers, curating and creating content for a person,” she emphasized. “If you don’t understand what they’re thinking and the why, what, who they are as people, it’s very difficult to adapt what you’re doing.”

We may have more data and insights than ever before into our audiences. But this can’t always provide the full picture about what is going on with consumers. To truly create products that audiences not only enjoy, but are willing to pay for, benefits greatly from insights that run deeper than data. For The Economist – ranked sixth most effective subscriber conversion publisher globally – having a dedicated consumer research team to get under the skin of what really makes their audience tick is clearly paying off.

Revenue | Supporter Spotlight

Media organizations must be smart about cost management

July 24, 2024 George Adelman, Principal – FT Strategies

In an era marked by diverse economic and market challenges, a rigorous cost management strategy is vital for media organizations pursuing sustainable revenue. However, with increased pressure on the top line (declining referral traffic, print circulation and advertising revenues) as well as rising costs (labor, supply chain, materials and technology), the route to financial sustainability is not always obvious.

This article explores practical methods that will help media organizations improve profits by examining four key areas: people, process, technology, and capital operating expenditures (capex/opex).

1. People: enhancing efficiency and organizational structure

Improve employee efficiency and organizational structure
Efficient organizational structures are crucial for media companies to remain agile and competitive. The best approach involves redesigning organizational structures to improve efficiency and reduce costs. By streamlining the workforce, aligning roles with strategic goals and fostering a culture of collaboration, companies can enhance productivity and adaptability.
Skills and ways of working
Enhancing the skill sets of employees and streamlining workflows are essential to boost productivity. This involves continuous training programmes, adopting flexible work arrangements, and leveraging collaborative tools to improve team efficiency. By fostering a culture of continuous improvement and innovation, media companies can ensure that their workforce remains competitive and adaptable to industry changes.

2. Process: streamlining and enhancing operations

Streamlining and enhancing key processes and operations
Optimizing processes includes reviewing and refining workflows to eliminate inefficiencies and redundancies By leveraging data and analytics, companies can identify bottlenecks and implement process improvements that enhance overall efficiency. Streamlined operations lead to faster decision-making, reduced costs, and improved alignment with strategic objectives.
Production costs
Aiming to reduce the costs associated with the creation and production of content is crucial. This involves optimizing production schedules, negotiating better terms with suppliers, and leveraging economies of scale. By focusing on cost-effective production methods and utilizing technology to automate repetitive tasks, media companies can significantly reduce production expenses.

3. Technology: delivering tech efficiencies

Digital efficiencies
Optimizing digital operations to reduce costs and increase collaboration and reach is critical in today’s media landscape. This involves adopting advanced digital tools and platforms that enhance content creation, distribution, and monetization. By streamlining digital workflows and improving user experience (UX), media companies can drive efficiency and boost profitability.
Reduced reliance on physical infrastructure
By shifting to cloud-based solutions and reducing reliance on physical infrastructure, media companies can lower operational costs and improve scalability. This transition not only reduces overheads but also enhances the speed and flexibility of digital operations, enabling companies to respond swiftly to market changes.

4. CapEx/OpEx: optimizing capital and operating expenditures

Business/product consolidation
Streamlining assets and functions that are not adding value and focusing on more profitable areas is another key aspect of our approach. This includes consolidating underperforming business units, divesting non-core assets, and prioritizing high-margin products and services. Such strategic consolidation helps in reducing overheads and generating capital for reinvestment in growth areas.
Efficient supply chain management
Enhancing the efficiency of supply chain and distribution networks is essential to minimize costs. This involves adopting just-in-time inventory practices, optimizing logistics, and renegotiating supplier contracts to secure better terms. By improving supply chain management, media companies can reduce wastage and ensure timely delivery of content.

Cost benefits: targeted savings across the board

Media companies seeking to improve profitability through strategic cost management can expect a number of significant benefits, including:

Cost savings from streamlined workforce
Streamlining the workforce and aligning roles with strategic goals leads to significant cost savings.
Reduced costs in content creation/production
Optimizing production processes and schedules can significantly reduce content creation costs.
Bargaining power/supplier negotiations
Strengthening bargaining power through strategic supplier negotiations and optimized production schedules helps in reducing costs.
Enhanced employee productivity
Continuous training and development programs, coupled with streamlined workflows, boost employee productivity.
Streamlined digital workflows and increased speed/performance
Adopting advanced digital tools and platforms streamlines workflows and enhances performance
Lower overheads and capital generation
Streamlining operations and consolidating non-core assets result in lower overheads and capital generation.

Cost management and the path to profitability

In the face of significant financial pressures, media organizations stand at a critical juncture to ensure their future sustainability through strategic cost management. By implementing the strategies outlined above, your company can streamline its operations, reduce expenditure and enhance productivity, future-proofing your business and setting you on a path to sustainable profitability.

About the authors

George Adelman is a Principal at FT Strategies, he joins us from Monitor Deloitte with over a decade of experience in strategy consulting and in-house advisory. Leading strategy development, service design and digital transformation teams, he has advised senior leadership from across both the public and private sectors.

Jhanein Geronimo is an Associate Consultant at FT Strategies that supports the ongoing development of media and subscription expertise. She studied BSBA Corporate Management (Summa Cum Laude) from Assumption College, San Lorenzo.

How media companies can succeed in podcasting: Slate’s secret

July 18, 2024 T. J. Raphael – Independent Media Reporter

Podcasting — it’s been a hot business since Serial became a cultural phenomenon back in 2014, spurring SNL skits and inspiring satirical spinoffs on streaming networks. In the years since the true crime megahit launched, there’s been a podcasting goldrush among publishers, and for good reason.

There’s a hunger among audiences for quality audio content. More and more people are tuning into podcasts: Last year alone, nearly 100 million Americans listened to podcasts every week, according to Edison Research.

But as an increasing number of media companies, brands, and individuals have ventured into a growing sea of audio productions (there are 450 million podcasts out there in the world), the water has become rough and murky. Last year, the audio industry saw mass layoffs, canceled productions, and shrinking ad revenue.

It’s led some to question whether podcasting itself was just a passing trend, a la the disastrous 2015 media industry “pivot to video.” Yet, as the audio industry and the publishers who create podcasts come off a “year of reckoning,” it’s clear that one brand seems to have figured out a way to build something solid from podcasting.

A podcasting business with sustainable revenue

Slate dove into the podcasting business with the Slate Political Gabfest in 2005, back when people were still listening on iPods, which is how the medium got its namesake. Since the early aughts, the Slate Podcast Network has put out dozens of shows. Its audio catalog currently boasts more than 20 titles, including listener-loved and award-winning programs like Slow Burn, Decoder Ring, and Death, Sex, and Money.

Today, podcasting accounts for a whopping 50% of the company’s advertising revenue. But audio isn’t only about ad sales for Slate. “We know membership is a huge part of keeping our business diversified overall, and podcasts are a big part of that,” says Heidi Strom Moon, Slate’s Director of Subscriptions.

The Slate Plus membership program started in 2014, and podcasts have been woven into its fabric since the jump. In each of the Slate Podcast Network’s shows, podcast listeners will hear on-air hosts encouraging them to join Slate Plus, via the Slate website, or hear pre-recorded ads directing listeners to sign up.

To support the company’s overall subscription business, “We do things like run remnant inventory ads (for Slate Plus) across the network to let people know about different shows and episodes that we’re doing,” says Strom Moon.

When signing up for Slate Plus, a member can get a three month trial for $15.00, and a full subscription runs $119.00 per year. You might be wondering: Why, exactly, would someone stop listening to a free podcast to sign up for a paid subscription? The answer is built into Slate’s strategy.

“Within each show, we talk a lot about what the benefits you’ll get by joining Slate Plus,” says Heidi Strom Moon. “Those include ad free (listening) benefits, extended listening, and premium episodes that you’ll get as a member. And a lot of that is what drives people to subscribe. Across many of our shows, we have exclusive episodes, extended episodes, and other kinds of bonus content, which we’ll be doing even more of in the weeks and months to come. ”

And the strategy is working. Last year, company revenue from Slate Plus increased 33%. Strom Moon says that AMICUS, Slate’s podcast on jurisprudence and the law, is one of the Slate Plus’ stand-out success stories.

Using podcasting exclusivity to drive paid subscriptions

“AMICUS is one of our big drivers of membership,” she says. “They do weekly standalone bonus episodes for members. So (on air), they’ll talk about what members can get in their bonus episodes each week.”

When listening to AMICUS, the benefits of the Slate Plus membership program are touted, and some of those benefits are intrinsically tied to content strategy. As the Supreme Court reached the end of its term this year and dropped major, bombshell decisions every week of June, AMICUS hopped into action to cover and dissect the rulings in weekly emergency podcast episodes — unscheduled content designed to react to the breaking news — and integrated Slate Plus into the strategy.

“For example, just going into that regular weekly cadence of having a standalone Slate Plus exclusive episode, especially when we do the emergency drops, we’ve seen a 146% increase in (Slate Plus) conversion since we’ve gotten to that regular weekly cadence (covering new Supreme Court decisions),” Strom Moon says.

So how does Slate Plus work from a technical standpoint? When members sign up on the Slate website, Slate Plus listeners get exclusive podcast feeds — the place where new episodes appear and live within a listening app ecosystem. The exclusive feeds can be accessed through the Slate mobile app, or anywhere listeners are already getting their audio content.

“Slate Plus members can subscribe directly on the Slate website, and from there if you’re already using a podcast app that you love and you wanna continue using, you can go ahead and add your premium feeds to any of those apps,” Strom Moon says. “We have partnerships with platforms like Spotify and Apple Podcasts to make it easier for people to subscribe on those platforms, if that’s where they’re listening and subscribing. We offer all of those options so that people can pick and choose what works best for them.”

While AMICUS may be offering listeners something immediate — quick reaction to what’s going on with Supreme Court rulings on a given day — Slate Plus is also tapping its audio back catalog to drive subscriptions.

“One thing we recently did is we resurfaced an evergreen series that we had done a few years back, called The Queen,” Strom Moon says. “We decided that was really good content that people would be interested in again. So we resurfaced that, and that has led to new conversions as people rediscovered this really interesting story.”

Gaining control of your audience through podcasting

While podcasts are a huge driver for Slate Plus, audio is only part of the success story.

“So it’s a combination of benefits for both listeners and readers,” Strom Moon says. “So on the written side, because of the metered paywall (on the Slate website), Slate Plus members get unlimited access to everything Slate — hundreds of articles a month, plus our extensive written archive of almost 25 years of content. We also have member exclusive advice columns. So if you’re an advice fan, and a lot of our readers are, you get even more advice as a Slate Plus member. We also have a member newsletter and a Facebook group.”

For Slate, it’s all about creating multiple touch points and offerings to get audiences to sign up.

“Slate Plus continues to be a big priority because we do think there’s a lot of opportunity for growth there,” Strom Moon says. “It’s the line of business we have the most control over.”