Tags containing: "gaming"

Live streaming audiences are up with new players participating

August 20, 2024 Suzanne S. LaPierre – Independent Media Reporter

Fans are spreading their time among an ever-widening variety of platforms and channels when live-streaming video, according to data from the Live Streaming Trends Report. This indicates that, far from being married to favorite platforms, games, or creators, consumers are willing to shop around for fresh content and great experiences. The report compiled by Stream Hatchet finds live streaming viewership up 10% overall in the past year. Twitch still leads as a platform but dropped from 70% to 60% of the market share during the past year.

The report finds that an increasingly diverse array of creators is capturing attention. While the top 5% of creators were responsible for 86% of streaming hours watched for the quarter, that represents a drop from 98% five years ago. This points to opportunity for media leaders to partner with creators or develop their own.

Politics lured viewers, helping push Rumble into the top ten platforms in hours watched for the quarter, surpassing Facebook Live. Based in Toronto and drawing most of its audience from political coverage with uncensored discussion, Rumble’s viewership benefited from content surrounding the U. S. presidential debate. During the debate week, Rumble’s total viewership peaked at 10.7 million hours, with almost a third of those hours coming from streams with keywords related to U.S. candidates and politics. Rumble surpassed Facebook Live by over 40M hours in its first full quarter, becoming the 7th most-watched platform.

In an interesting move, the Democratic National Convention just announced that it would be streaming on a number of non-traditional platforms including social standouts TikTok and Instagram but also on Amazon’s Twitch as well as Prime and YouTube.

Variety of platforms widens

Twitch still holds more than half of the market share (60.3 %), but YouTube Gaming increased its share to almost one quarter of the market (23.4%). Other strong platforms include Kick, which increased its viewership by 163%, now in third place with 5.5% of the market. AfreecaTV came in fourth. Meanwhile, Facebook Live dropped out of the top five.

The market showed opportunity for new platforms. The new South Korean platform Chzzk came in at fourth place, winning 2.1% of the market. Rumble became the 7th most-watched platform. Bigo Live, offering options like virtual live with 3D avatars, also had a strong debut, reaching 9^th place.

Diversity of creators grows

Just as fans tuned into a wider variety of platforms, they also chose to watch a more diverse range of creators. During the past five years, the share of viewership held by the top live streaming channels decreased, boosting opportunity for emerging creators. While the top 0.01% of channels held 45% of the audience five years ago, that percentage fell to 33% by the second quarter of 2024- a12% decrease. A few takeaways stood out.

Male live streamers still dominate the market, with American KaiCenat taking the number one spot of the quarter with 43.8 million hours. His 78% increase in viewership this quarter was buoyed in part by the popularity of Elden Ring.
Most of the top female live streamers (7 out of 10) engage primarily in Just Chatting rather than gaming.
Some Vtubers (virtual YouTubers using avatars) showed an impressive jump in popularity. Kuzuha Channel, run by a male Japanese streamer, increased viewership by 27%, taking the #1 spot among Vtubers. Japanese creator Aqua Ch. 湊あくあ and Korean 고세구!, both female, surged 392% and 202% respectively for the quarter, achieving sixth and seventh place.

Top games and genres

The second quarter of 2024 found downloadable content (DLC) dominating new game releases. Elden Ring: Shadow of the Erdtree was by far the most successful new release, reaping 81.2 million hours watched across all platforms in its first 30 days. Destiny 2: The Final Shape was a distant second, with 24.8 million hours. Those two titles combined garnered 55% of the top ten new games’ viewership in their first month.

Across all platforms, a few top games captured the lion’s share of viewing hours. Grand Theft Auto V and League of Legends lead the pack. Combined, these two games accounted for almost 950 million hours watched for the quarter, although they dropped in overall percentage of hours watched.

The action genre soared 30% higher over the past year thanks in large part to Elden Ring, which accounted for 24% of the action genre audience. The survival game Rust rose 150% in viewership, also boosting this category. Driving and Racing games were up 13%. While first person shooter games still topped hours watched at 1.2 billion for the quarter, that number represents a 4% drop since the previous year. Likewise, the action-adventure genre’s viewership declined 24% due to lack of new releases.

Looking forward

The live video game streaming market is important to the popularity of streaming platforms, game publishers, media, and creators. The latest data demonstrate the industry’s resilience after a post-pandemic slump. Media leaders should continue to keep a close eye on up-and-coming creators and platforms as well as the overall consumption trends of younger audiences.

Game on: esports offer a big win for media brands

August 4, 2022 Chris M. Sutcliffe – Independent Media Reporter

Warner Bros.' MultiVersus game leverages a broad range of the company's IP.

While the media and marketing worlds lose their minds over the metaverse, it’s worth bearing in mind that most of the purported benefits of that phenomenon already exist elsewhere.

The metaverse – whatever it ultimately looks like – is being built on the back of gaming audiences. From the platforms that early metaverse experiments were built on, to the community-based nature of interactions between brand and audiences on those platforms… it looks a lot like gaming with a new name. Besides, even if the metaverse actually emerges as a wholly new phenomenon, its audience will still bear a good deal of resemblance to gamers. So, products that serve this crowd are likely to bridge any eventual gap.

Either way, media companies must continuously attract new audiences to monetize in the race for subscribers and advertising spend. It also helps if those new audiences fit a particular profile that merits content development dollars as well. They need to be niche enough to have a community that is deeply invested in the topic and lucrative enough to be monetized effectively.

The largest niche on the planet

Gaming – the most lucrative entertainment medium globally – is certainly appealing in its own right. But importantly for media companies seeking new and valuable audiences, gaming offers scale characterized by numerous niches, each with the potential for product development that will attract, engage, and inform gaming communities.

Craig Levine is co-CEO at one of the largest esports organizations, ESL Gaming. He says: “There are so many niche communities within esports – and here ‘niche’ doesn’t mean small. I think ‘niche’ means focused. There are some very, very large niches in competitive gaming.”

Unsurprisingly, media companies with valuable IP continue to develop their esports plans. Warner Bros, for instance, has a hit on its hands with the platform fighter Multiversus, which sees exciting IP crossover. Meanwhile the latest Pokémon Presents on August 3rd opened not with information about its upcoming games, but the competitive scene that surrounds them. Esports titles like DOTA 2, CS:GO and Fortnite are perennially popular, with some achieving widespread brand recognition outside the gaming sphere.

Sports brands like Manchester United and the NBA have invested heavily in esports, from both grassroots and professional level. They recognize a growth industry when they see it.

According to the latest annual predictions from esports research specialist Newzoo global esports revenues will exceed $1.86bn by 2025, representing a CAGR of 13.4%. That is driven in large part by a rise in the size of the esports audience, with the global audience expected to reach 532 million by the end of 2022. The number of what Newzoo classes as “esports enthusiasts” is set to reach 261.2 million. This is this ‘niche’ that should set a fire under magazine publishers.

Charlotte Cook is MD of gaming-specialist agency Calm Consultancy. She says that the niches do exist within gaming: “When it comes to brands, advertisers, you do need to still segment them as different experiences exist on different platforms. A game on a mobile is very different from a game on a console.”

However, she states that the overall competitive gaming audience is growing. It is also broadening into demographics that advertisers are desperate to reach. Newzoo found that 74% of esports enthusiasts are full-time employees (compared to just 56% of the general online population), and around 44% fall in the high-income bracket compared to 33% of the general online population.

So, magazine companies looking to make some money around the world of esports specifically should adopt the role of bridge between brands and the community. Media companies like Future are already reaping the benefits of ecommerce based around high-value gaming audiences. The rise of esports also provides them with the ability to act as a trusted source for information related to high-value competitive gaming products.

Storytelling

Magazines’ core strength has always been around creating a compelling narrative. Just as with real-world sports stars, the focus of that storytelling around esports should be around the individuals within the space. Those esports stars are effective influencers within their community, which influencer-specialist marketers believe delivers the best rate of conversion on any ad spend. Moreover, since magazines are seen as a safe space for brands, it creates a new channel for the brands who seek to reach those audiences but run the risk of appearing opposite unsuitable content on the traditional esports platforms like Twitch.

Levine explains: “We’re currently in a world where players and influencers bring the power of creators, and that means a sort of this infinite distribution opportunity. The superstars of esports that come out are these incredible influencers who create tonnes of fandom around the games they focus on.”

That’s backed up by the rise of the gaming influencer, many of the most popular of whom are in the esports space. Small wonder that brands including Netflix, the NBA, and

Formula 1 have partnered with those streamers to expand their distribution channels for content among gamers.

Eyes on the prize

Much of the focus for the intersection of media and esports lies is still related to broadcasters bidding for the rights for esports competitions. Game companies like EA and Blizzard are betting the farm on esports broadcast rights, and arguably the prices commanded for those licences significantly undervalue the size of the audience.

Daniel Schnapp, esports specialist and partner at Sheppard Mullin, told Variety: “If you look at the most watched [and] consumed esports events over the last five to 10 years, they rival that – in terms of overall eyeballs and audience participation in viewership – of some of the largest sporting events that are put out by the traditional sports leagues.”

But, as with the ecosystem that has grown around traditional sports, there is space for magazine publishers to launch dedicated esports-related brands. The ecommerce opportunities related to the niche communities and ability to boost the profile of the pro players would benefit not just the magazine company, but the esports ecosystem as a whole. That virtuous circle of increased audience, attention and ad spend benefits the entire vertical – and magazines can claim a share of that pie.

For media companies, then, the question shouldn’t be “should we launch an esports title”, but “when should we?”

Advertising | Industry-Research

Meeker’s annual report exposes opportunities to connect with consumers

June 6, 2017 Rande Price, Research VP – DCN

Mary Meeker’s annual Internet Trends Report is often referred to as the state of the union for the media and technology industry. In it, Meeker—a partner at venture capital firm Kleiner Perkins Caufield and Byers (KPCB)—highlights the biggest internet developments for the coming year. Her report provides insights on digital adoption, identifies which interfaces are resonating, and examines the dynamics of ecommerce.

Some key takeaways from her presentation:

Mobile dominates digital usage. U.S. adults now spend 5.6 hours a day using digital media, 3.1 hours (from 2.8 in 2015) via mobile devices and 2.2 hours on desktop and laptop.
The ad spend on mobile is not proportionate to the share of time spent on mobile. While consumers spend 28% of their time on mobile, only 21% of the digital ad dollars is spent on mobile media. This is expected to correct itself in the second half of this year.
As internet advertising continues to increase, the growth is concentrated in Google and Facebook, the internet duopoly. Meeker’s report notes that Google and Facebook control 85% of online ad growth. Google’s ad revenue grew 20% and Facebook 62% in 2016. For everyone else, the growth was less than 10% year over year.
Internet users are concerned about their privacy and security online. Consumers report being concerned with how their data is being collected, used and stored. Consistency and self-regulation of privacy policies are important steps in the monitoring the Internet ecosystem.

Where Meeker’s insights meet opportunity:

Voice recognition software and devices such as the Amazon Echo and Google Home are reshaping the consumer digital experience. In fact, Amazon Echo is now installed in 11 million households in the U.S. Further, 20% of all mobile searches are now voice activated.
Gaming goes mainstream. There are now 2.6 billion gamers today compared to a 100 million in 1995. In fact, viewing time for eSports, professional video gaming live-events and tournament, increased by 40% compared to a year ago. The gaming revenue concentration remains in Asia, with 47% of 2016’s $100 billion global market. Meeker believes video gaming’s socially engaging features will offer new businesses opportunities and sporting events.
Streaming music helps revives the music industry. Spotify, the marketplace leader, exceeded physical music sales, adding to the first revenue growth in the music industry in the last 16 years. Free trials are also driving sampling and subscription sign-ups.
Healthcare data is flowing with approximately 25% of U.S. consumers owning a wearable device, up 12% from a year ago. Further, 6 in 10 people report they are willing to share with health information with Google. Collecting and analyzing healthcare data has huge implications for the medical and healthcare sector from aiding clinical trials to identifying geographical and environmental healthcare concerns.

The marketplace is rapidly advancing and continues to grow in importance. According to Meeker, the top 20 Internet companies—many of which were not around before 1995—have a market value of nearly $3 trillion. New media platforms and information technologies are transforming new market economies. Yet it is important to note that Meeker sees new opportunities across multiple platforms to connect and add value for consumers.